Bizen Osafune Sword

Gyakuto104

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A sword in the style of the Bizen Osafune school. The sword smith was Ju Yokoyama Sukenaga, forged in 1840. The jihada is a very fine mujihada that requires great skill to create. The hamon is kanemoto and the sword has a shallow sori characteristic of the Bizen school.

 
Oh, I should say I bought it last Monday from an antique armaments dealer in Brighton!
 
Beautiful!!
So amazing to be able to steward a piece of history like this
 
Beautiful!!
Thank you Dunc. The fittings are really interesting and unusual.too. I’ll take photos soon.
So amazing to be able to steward a piece of history like this
That is how I feel about having it in my possession: it’s custodian.

It rather sad how many Japanese swords, armour and pole arms ended up in England. When the Samurai were abolished in 1868 they had to give up their swords. Many wealthy aristocrats claimed many of them and bought armour and other weapons for tiny amounts of money from the destitute samurai. They shipped them back to the England to make talking points and displays in their stately homes and in museums. Over the years the aristocracy have themselves become destitute and had to sell their ancestral homes and contents. The grandfather and later, father, of the dealer from whom I bought the sword would go around the country to these ancestral homes and buy up any swords, pole arms, firearms, and sets of armour to sell to the public. The current owner says many valuable sword blades were often discarded and the ornate sword guards kept as they were easier to display! Sets of Japanese armour were sometimes burned atop bonfires for Guy Fawkes night as they were too unwieldy to keep in the aristocrats new London homes! I was really saddened to think what might’ve been lost to this historical vandalism. Thus my new sword has been in England since 1870.

It does slightly worry me that this sword likely killed a few people while in the possession of it’s samurai owner. I put this to the dealer and he said he thinks of the lives these weapons saved. I have thought about incanting a Buddhist sutra/Shinto norito over it but…I’d feel silly!
 
The other day, when inspecting, cleaning and oiling this old katana (from 1840) I noticed a browny-black sludgy smudge across its tip and realised the scabbard’s ā€˜oil trap’, (油槽 - yusō), situated at its distal end, must have accumulated a considerable amount of gunk over the last two centuries. But how on earth could I clean it out? After ruminating on the problem, I ordered as set of cable feeding rods, used to pull electrical cables through cavities or under floorboards. I wrapped its end thinly in a clean gauze bandage with the other end wrapped around my hand and gently pushed it into the scabbard, carefully rotating it to clean it out any residue. It took quite a few repetitions, changing the gauze each time, of this process before the gauze came out clean; the scabbard’s yusō was pristine, much to my relief. Now, the colour of the gunk seemed familiar somehow and I had a disturbing hunch as to what it might contain, so I cut off some of the soiled gauze, soaked it in a small beaker of saline and dripped the solution onto a urine testing strip (the ones that can detect protein, sugar, ketones and blood in one’s urine) that I happened to have in my medicine cupboard. I didn’t have wait for more than a few seconds for the result; it contained a large amount of blood (ā€˜++++’)! Naturally, I’m fully cognizant for what Japanese swords were used, by their samurai guardians, but this piece of hard evidence brought that fact into startling focus and I have to admit the circumstance by which that blood got there, slightly disturbed me! In a bit of a daze, I dropped the gauze in my bin, oiled my sword and packed it away.

That night, while trying to sleep, my thoughts of that evening’s discovery made me feel uneasy, and it felt as though something was present in my bedroom toward the foot of my bed, above me, observing me, oppressing me with a certain ā€˜expectation’. There were unusual noises in my bedroom that night, clicks, gentle thumps and scrapes that were unfamiliar amongst the usual ensemble my house produces as it cools in the night. I’d just thrown the gauze into my bin planning on emptying it in the morning but after a night of tossing and turning, realised what I should actually do. In the morning, I gathered the blood-soiled pieces of gauze from out of my bin, placed them in a small cardboard box, and performed the ancient Japanese Kuji kiri incantation over them (ā€˜rin, pyo, toh sha kai, jin, retsu, zai, zen’) whilst making the nine cutting movements to form the cleansing grid, in order to dispel restless or malign spirits. I took the box out to the far end of my garden, as far away from the house as possible, where I buried them in a small hole. I said, under my breath ā€œJōbutsu seyoā€ (go to the Buddha/Nirvana) and left the shady area. I have slept peacefully ever since.

(OK, I made up the supernatural bit, but I’m going to tell that story after Christmas dinner and for years to come!)
 
The other day, when inspecting, cleaning and oiling this old katana (from 1840) I noticed a browny-black sludgy smudge across its tip and realised the scabbard’s ā€˜oil trap’, (油槽 - yusō), situated at its distal end, must have accumulated a considerable amount of gunk over the last two centuries. But how on earth could I clean it out? After ruminating on the problem, I ordered as set of cable feeding rods, used to pull electrical cables through cavities or under floorboards. I wrapped its end thinly in a clean gauze bandage with the other end wrapped around my hand and gently pushed it into the scabbard, carefully rotating it to clean it out any residue. It took quite a few repetitions, changing the gauze each time, of this process before the gauze came out clean; the scabbard’s yusō was pristine, much to my relief. Now, the colour of the gunk seemed familiar somehow and I had a disturbing hunch as to what it might contain, so I cut off some of the soiled gauze, soaked it in a small beaker of saline and dripped the solution onto a urine testing strip (the ones that can detect protein, sugar, ketones and blood in one’s urine) that I happened to have in my medicine cupboard. I didn’t have wait for more than a few seconds for the result; it contained a large amount of blood (ā€˜++++’)! Naturally, I’m fully cognizant for what Japanese swords were used, by their samurai guardians, but this piece of hard evidence brought that fact into startling focus and I have to admit the circumstance by which that blood got there, slightly disturbed me! In a bit of a daze, I dropped the gauze in my bin, oiled my sword and packed it away.

That night, while trying to sleep, my thoughts of that evening’s discovery made me feel uneasy, and it felt as though something was present in my bedroom toward the foot of my bed, above me, observing me, oppressing me with a certain ā€˜expectation’. There were unusual noises in my bedroom that night, clicks, gentle thumps and scrapes that were unfamiliar amongst the usual ensemble my house produces as it cools in the night. I’d just thrown the gauze into my bin planning on emptying it in the morning but after a night of tossing and turning, realised what I should actually do. In the morning, I gathered the blood-soiled pieces of gauze from out of my bin, placed them in a small cardboard box, and performed the ancient Japanese Kuji kiri incantation over them (ā€˜rin, pyo, toh sha kai, jin, retsu, zai, zen’) whilst making the nine cutting movements to form the cleansing grid, in order to dispel restless or malign spirits. I took the box out to the far end of my garden, as far away from the house as possible, where I buried them in a small hole. I said, under my breath ā€œJōbutsu seyoā€ (go to the Buddha/Nirvana) and left the shady area. I have slept peacefully ever since.

(OK, I made up the supernatural bit, but I’m going to tell that story after Christmas dinner and for years to come!)
Very interesting.

If this discovery makes you in any way uncomfortable with the thought of keeping the weapon, you should not hesitate to ship it directly to me for safe keeping. šŸ˜„
 
Nice try, but if you give me your address, I’ll send you the bloody gauze; you could steep them in hot water and make a nice cup of tea šŸ«–
 
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The other day, when inspecting, cleaning and oiling this old katana (from 1840) I noticed a browny-black sludgy smudge across its tip and realised the scabbard’s ā€˜oil trap’, (油槽 - yusō), situated at its distal end, must have accumulated a considerable amount of gunk over the last two centuries. But how on earth could I clean it out? After ruminating on the problem, I ordered as set of cable feeding rods, used to pull electrical cables through cavities or under floorboards. I wrapped its end thinly in a clean gauze bandage with the other end wrapped around my hand and gently pushed it into the scabbard, carefully rotating it to clean it out any residue. It took quite a few repetitions, changing the gauze each time, of this process before the gauze came out clean; the scabbard’s yusō was pristine, much to my relief. Now, the colour of the gunk seemed familiar somehow and I had a disturbing hunch as to what it might contain, so I cut off some of the soiled gauze, soaked it in a small beaker of saline and dripped the solution onto a urine testing strip (the ones that can detect protein, sugar, ketones and blood in one’s urine) that I happened to have in my medicine cupboard. I didn’t have wait for more than a few seconds for the result; it contained a large amount of blood (ā€˜++++’)! Naturally, I’m fully cognizant for what Japanese swords were used, by their samurai guardians, but this piece of hard evidence brought that fact into startling focus and I have to admit the circumstance by which that blood got there, slightly disturbed me! In a bit of a daze, I dropped the gauze in my bin, oiled my sword and packed it away.

That night, while trying to sleep, my thoughts of that evening’s discovery made me feel uneasy, and it felt as though something was present in my bedroom toward the foot of my bed, above me, observing me, oppressing me with a certain ā€˜expectation’. There were unusual noises in my bedroom that night, clicks, gentle thumps and scrapes that were unfamiliar amongst the usual ensemble my house produces as it cools in the night. I’d just thrown the gauze into my bin planning on emptying it in the morning but after a night of tossing and turning, realised what I should actually do. In the morning, I gathered the blood-soiled pieces of gauze from out of my bin, placed them in a small cardboard box, and performed the ancient Japanese Kuji kiri incantation over them (ā€˜rin, pyo, toh sha kai, jin, retsu, zai, zen’) whilst making the nine cutting movements to form the cleansing grid, in order to dispel restless or malign spirits. I took the box out to the far end of my garden, as far away from the house as possible, where I buried them in a small hole. I said, under my breath ā€œJōbutsu seyoā€ (go to the Buddha/Nirvana) and left the shady area. I have slept peacefully ever since.

(OK, I made up the supernatural bit, but I’m going to tell that story after Christmas dinner and for years to come!)
What an interesting find.
 
The other day, when inspecting, cleaning and oiling this old katana (from 1840) I noticed a browny-black sludgy smudge across its tip and realised the scabbard’s ā€˜oil trap’, (油槽 - yusō), situated at its distal end, must have accumulated a considerable amount of gunk over the last two centuries. But how on earth could I clean it out? After ruminating on the problem, I ordered as set of cable feeding rods, used to pull electrical cables through cavities or under floorboards. I wrapped its end thinly in a clean gauze bandage with the other end wrapped around my hand and gently pushed it into the scabbard, carefully rotating it to clean it out any residue. It took quite a few repetitions, changing the gauze each time, of this process before the gauze came out clean; the scabbard’s yusō was pristine, much to my relief. Now, the colour of the gunk seemed familiar somehow and I had a disturbing hunch as to what it might contain, so I cut off some of the soiled gauze, soaked it in a small beaker of saline and dripped the solution onto a urine testing strip (the ones that can detect protein, sugar, ketones and blood in one’s urine) that I happened to have in my medicine cupboard. I didn’t have wait for more than a few seconds for the result; it contained a large amount of blood (ā€˜++++’)! Naturally, I’m fully cognizant for what Japanese swords were used, by their samurai guardians, but this piece of hard evidence brought that fact into startling focus and I have to admit the circumstance by which that blood got there, slightly disturbed me! In a bit of a daze, I dropped the gauze in my bin, oiled my sword and packed it away.

That night, while trying to sleep, my thoughts of that evening’s discovery made me feel uneasy, and it felt as though something was present in my bedroom toward the foot of my bed, above me, observing me, oppressing me with a certain ā€˜expectation’. There were unusual noises in my bedroom that night, clicks, gentle thumps and scrapes that were unfamiliar amongst the usual ensemble my house produces as it cools in the night. I’d just thrown the gauze into my bin planning on emptying it in the morning but after a night of tossing and turning, realised what I should actually do. In the morning, I gathered the blood-soiled pieces of gauze from out of my bin, placed them in a small cardboard box, and performed the ancient Japanese Kuji kiri incantation over them (ā€˜rin, pyo, toh sha kai, jin, retsu, zai, zen’) whilst making the nine cutting movements to form the cleansing grid, in order to dispel restless or malign spirits. I took the box out to the far end of my garden, as far away from the house as possible, where I buried them in a small hole. I said, under my breath ā€œJōbutsu seyoā€ (go to the Buddha/Nirvana) and left the shady area. I have slept peacefully ever since.

(OK, I made up the supernatural bit, but I’m going to tell that story after Christmas dinner and for years to come!)
Seems I’m having a deja vu here ?
 
You’re mistaken. I’ve never told anybody that story, not even my wife and cat.
 
Science want to blame the Deja vu phenomenon on the person having Deja vu experience saying they’re having some sort of brain glitch … I’m not sure about that
 
Science want to blame the Deja vu phenomenon on the person having Deja vu experience saying they’re having some sort of brain glitch … I’m not sure about that
Are you feeling, OK @Same Trick? You seem to be displaying something akin to ā€˜Knight’s move thinking’.
 
Science want to blame the Deja vu phenomenon on the person having Deja vu experience saying they’re having some sort of brain glitch … I’m not sure about that
Glitch in the simulation…
 
Glitch in the simulation…
Yeah, the other day on another discussion board talking flat earth I posted about the ā€œholographic universeā€ theory that goes something like - universe is a 3d hologram projection from a 2d plane……I can imagine glitches with that
 
Yeah, the other day on another discussion board talking flat earth I posted about the ā€œholographic universeā€ theory that goes something like - universe is a 3d hologram projection from a 2d plane……I can imagine glitches with that
You must learn not to engage with those types of idiot. If their limited intellectual ability refute spherical planetary bodies then they would have absolutely no chance of appreciating the arguments that lead a theory of a holographic universe!
 
Yeah, the other day on another discussion board talking flat earth I posted about the ā€œholographic universeā€ theory that goes something like - universe is a 3d hologram projection from a 2d plane……I can imagine glitches with that
Well flat earth theory is ridiculously silly.
 
You must learn not to engage with those types of idiot. If their limited intellectual ability refute spherical planetary bodies then they would have absolutely no chance of appreciating the arguments that lead a theory of a holographic universe!
It’s done for fun, the ā€œfunā€ part is that some globe-earth believers get really serious in explaining the eart isn’t flat šŸ˜Ž
 
It’s done for fun, the ā€œfunā€ part is that some globe-earth believers get really serious in explaining the eart isn’t flat šŸ˜Ž
Globe-earth ā€˜believer’? 🧐
 

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