I don't necessarily think more
material is the thing. It could be a small piece, but it should be more about discovery at that point. What can you do now to improve on what you've already been taught? It should be less a class and more of a guided laboratory.
In my experience in TKD, what came after black belt was mostly just more combinations of what we already knew. For example, a colored-belt combination may be roundhouse kick - tornado kick; but a black belt combination would be roundhouse kick - tornado kick - spinning hook kick. We've already done all of those kicks before black belt, but this specific combination is new.
In fact, in our kicking curriculum, we had:
- Colored belts: kicking #1-8, in which kicking #1-4 use kicks learned in the beginner class, and kicks #5-8 were actually new.
- Fresh black belts: kicking #9-12, in which #10 is the only one that introduces anything really new (and even then it's variants of kicks we already know).
- To get 2nd degree: kicking #13-15, in which #13 has a new variation, and #14 and #15 are just new combinations of already-known techniques.
- To get 3rd degree: kicking #16-20, in which #20 has a new transition between kicks, but all of the kicks are already known.
- To get 4th degree: kicking #21-25, in which there's a few new ways of moving with the kicks, but it's pretty much just the same kicks.
I could have gotten the same lessons by simply learning these new variations and transitions and applying them in different ways instead of being limited to this particular jump only with a specific kick in a specific numbered item.
I see the exact opposite situation in my BJJ training. I'm at a point now where there isn't much
material left for me to learn. I don't know every specific position and every technique or transition, and most of the positions and techniques I do know, I still have a lot to refine. However, there's very little at this point you can show me that I'll look at and say, "I've never been in that position before" or "I've never drilled this technique before." I might say it's a new transition or variation, but it's rarely something genuinely new to me.
However, despite this broad understanding of the art, most of my game has very little depth to it. What I have now is a game that I'm constantly refining by surviving against the upper belts, competing with the colored belts, and toying with the white belts. I have the opportunity to play with things and see how well I can do in different situations. Against the upper belts and the colored belts, they force me to test myself. Against the white belts, I may see how much I can get away with without using my favorite position, and newer white belts how much I can get away without even using my hands.
There is very little that is
new for me to learn. But there is still so much for me to learn. I don't necessarily need new material to remain interested in BJJ. I think it's a trap that a lot of curriculum-based arts fall into, that they don't trust the process enough for students to want to continue it even after the curriculum ends. So they add more and more curriculum.
With TKD, I don't think you ever
fully get away from this. There's going to be new forms, there's only a finite amount of kicks. But folks may take kicks in different directions.
- Develop kicks that are going to win in sparring.
- Develop kicks that are powerful and accurate for board breaking.
- Develop kicks that are grounded and devastating for self-defense or MMA.
- Develop kicks that are fancy and acrobatic to show off.
I feel once you've gotten to a certain point in martial arts, you're going to develop your style. If everyone is just copying the Master for Kicks #20-25, then that's all anyone is going to learn. But if 4 people develop a specific kind of kick and put their heart and soul into it, then we'll have 4 new Masters with 4 distinct areas of mastery, which they can then bring their knowledge and research and development back to the rest of the class. The rest of the class will be better for it.
And that's what I see in BJJ. With me and the other color belts that I regularly train with, we have:
- Me regularly playing deep half guard, where I often short-circuit people into giving me the sweep, and then I pressure pass.
- My best friend, who plays a lot of closed guard chokes, who is single-handedly responsible for around a dozen naps from folks who did not respect collar chokes enough to tap.
- One guy who is known for foot locks, who recently won his first-ever BJJ competition in around 18 seconds.
- One guy who likes to wrestle and stay on top. Who is starting to get very good at that, but still struggles a lot on bottom.
- One guy who is around 50 but probably also on every steroid known to man, who's going to try to choke you from any position. Even inside your guard.
- One guy who weighs more in kg than I do in pounds, who specializes in pressure.
- One guy who likes to "handcuff" people by getting your hand trapped behind your back.
- Identical twins that have different games, and so I never know which one I'm fighting and which game to try and counter.
There's more, but this gives a pretty good idea of what I'm talking about. If it were all about material and about learning what the Professor teaches, we would all just pull guard and attempt submissions from guard. Because that's my Professor's gameplan. Instead, we have to adjust based on whether we're going with another guard puller or a wrestler or a foot locker, and they tighten up different aspects of our game by pushing us in different ways.
It's like the difference between someone who only ever does one weightlifting exercise, and someone who has a well-rounded workout. Yeah, the one guy may have giant biceps and chicken legs, but the other has a full athletic physique.
I feel that's what happens when you get to a point where students know the "material" that you might learn, and instead get to play with it and figure out their style, and then deep-dive into that style and come out the other side with an even better understanding than the Master.