Sparring Styles

I love high kicks followed by foot sweeps. Although post surgery, its more like leg kicks followed by foot sweeps. I tend to mix it up based on who I'm sparring with. I have a student that is super fast 6'3" with crazy long legs so when him and I spar I pressure the inside attack to take away his range and force him to adjust. One of our other instructors is a 6'1" 260lbs wrestler and strong as heck so I try to keep my distance and use body kicks with him. Sometimes I try to fight in close with him but its always a reality check.
 
Is it true that swordsmanship is less flexible in stylistic individuality? I can get away with some slop on a punch without injury but with a blade in hand, particularly a long one it seems like any variance in technique execution could result in self injury. Perhaps the reason for a more strict adherence to specific rules of how to execute?
No. Speaking at least from my experience fencing and a specific style of kali that treats rattan stick as just training/stand-in for a weapon most of the time (vs. treating it fully as it's own weapon).

In just epee, this is just one style "so you hold the centre, press forward (seme) an only at the very end of the step ‘lift-cut’". You don't have to go forwards - some fencers make their bread and butter in counter attacks. You can try to just beat the other persons blade (and there are different ways to do that effectively, that each person can decide what works for them), try to lunge really fast, disengage (and again multiple ways to disengage - my two favorites are circling with the thumb, or actually 'dropping' the blade for a split second right before they meet), and react. You can step side to side to a limit, which helps you get angles or even stride past the opponent.

It's not even always true that you hold the center. For instance back when I fenced it was pretty common for me to keep my blade low and to the right, baiting the other person then doing a circular-sweeping-upwards parry when it comes in. Plenty of fencers would never do that, and some coaches would yell at me for it. And everyone knows what works best for them, how they like to do it, and when they like to do it. I think my first week I was told something along the lines of 'you're still learning and you're learning the textbook versions. Don't try to tell anyone over there that they're doing it wrong, or try to mimic them. You need to know the rules before you can break them, and if they're doing soemthing wrong I'll tell them."

Kali is similar to almost any striking art. The only thing you're really keeping track of is having a good grip (at moment of impact, I personally leave my grip lax until just before the moment of impact the same way I do with punches), ensuring the orientation is correct, and potentially focusing on preserving the weapons access. Everything else is up to your stylistic preferences.
 
I like what I call "recurve kicks". I couldn't really find a name for this category, and it seemed to fit. The question-mark kick would be the best example of this. It starts as a front kick, but turns into a roundhouse kick. Other examples include (and yes these are mostly my names for the technique):
  • The bracket kick: starts like a crescent kick, but turns into a mid-section roundhouse kick. Usually gets the hands up to open the body.
  • Spiral kick: 3/4 of a crescent kick, re-chamber the kick and use it as a side kick. Useful when folks lean back to avoid a head kick, they straighten up and slam into the side kick.
  • Looping kick: same as the spiral kick, but loop into a roundhouse instead of a crescent kick.
Along the lines of this concept, you also have clever use of spin:
  • Spinning back kick, if they move back to avoid the kick, you turn it into a tornado kick.
  • Alternatively, you can jump and do a full spin for a 540 back kick. (This is actually how I first executed a 540 back kick, in sparring).
 
I like what I call "recurve kicks". I couldn't really find a name for this category, and it seemed to fit. The question-mark kick would be the best example of this. It starts as a front kick, but turns into a roundhouse kick.
I simply described it as a feint front kick switching into a roundhouse - no need to invent a new name. Only needed a couple of good low front kicks to set it up before going high or even middle with the roundhouse. It was my specialty and very effective.
 
I simply described it as a feint front kick switching into a roundhouse
- If you don't land your front kick and connect it into roundhouse kick, and,
- If your kicking leg knee is always pointing toward your opponent,

You are not using your hip/waist and upper leg into your roundhouse kick, it's like changing a jab into a hook without body rotation, how much power can you generate for your roundhouse kick?

Even if you may land your front kick, since you land it in front of you, you still don't have enough space for your waist/hip rotation. The front leg roundhouse kick just doesn't give you enough waist/hip rotation.

Waist/hip rotation are used in both videos.



 
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I like what I call "recurve kicks". I couldn't really find a name for this category, and it seemed to fit. The question-mark kick would be the best example of this. It starts as a front kick, but turns into a roundhouse kick. Other examples include (and yes these are mostly my names for the technique):
  • The bracket kick: starts like a crescent kick, but turns into a mid-section roundhouse kick. Usually gets the hands up to open the body.
  • Spiral kick: 3/4 of a crescent kick, re-chamber the kick and use it as a side kick. Useful when folks lean back to avoid a head kick, they straighten up and slam into the side kick.
  • Looping kick: same as the spiral kick, but loop into a roundhouse instead of a crescent kick.
Along the lines of this concept, you also have clever use of spin:
  • Spinning back kick, if they move back to avoid the kick, you turn it into a tornado kick.
  • Alternatively, you can jump and do a full spin for a 540 back kick. (This is actually how I first executed a 540 back kick, in sparring).
I assume the bracket and spiral are outside to inside crescent kicks?
 
A dojo mate literally sent me this the other day, thought it was quite good haha:

------

Types of Sparring Opponents:

*The Wild Puncher*
This is the fighter who abandons game plans and throws volume. No setup, no feints, just overwhelming aggression and chaos. They’re dangerous because pressure breaks structure. You can’t run your techniques if you’re constantly shelled up defending haymakers. They gas out fast, but before they do, they can overwhelm skilled opponents who need space and timing to work. Their unpredictability makes them a nightmare for technical fighters.

*The Silent Killer*
Quiet, calm, and patient. This opponent doesn’t telegraph or waste energy talking. They watch, stay relaxed, and wait for you to make a small error in rhythm or spacing. Then they strike hard and disappear again. The danger is psychological. You don’t get reads from their face or breathing. You relax for a second and they’re already inside your guard. They win rounds by landing the few shots that actually matter.

*The Low Kick Addict*
This fighter’s entire strategy revolves around chopping the legs. They’re not trying to knock you out clean. They’re investing in damage that accumulates. Each kick slows you down, kills your movement, and makes your stance bladed and weak. By round 2, you can’t check, can’t pivot, and can’t push off to punch. You might win the round on points, but you lose the ability to walk tomorrow. They turn sparring into attrition.

*The Counter Fighter*
They give you nothing and take everything. Counter fighters rarely lead. They bait you, draw out your attack, then punish the opening you created. The danger is that you beat yourself. You throw, you miss, you get hit. After a few exchanges you get gun-shy and hesitant, which makes you even easier to counter. Fighting them feels like walking into traps. The more aggressive you are, the worse it gets.

*The Giant White Belt*
Big, strong, and inexperienced. They don’t know the rules, don’t know their own strength, and don’t know how to control contact. That’s what makes them dangerous. A seasoned fighter can slip and tap a skilled opponent. A giant white belt will throw with 100% power because nobody told them not to. They’ll crash the distance, clinch hard, and turn light sparring into a wrestling match. Technique beats them, but one clean shot while you’re “going easy” can still rattle you.

*The Tournament Veteran*
They’ve seen every style and fought under pressure hundreds of times. Calm under fire, they adapt mid-round and exploit habits you didn’t know you had. The danger is in their pattern recognition. If you throw the same jab-cross twice, the third one’s getting countered. They manage distance, energy, and time like it’s second nature. You’re not just fighting their skills. You’re fighting all the people they’ve already beaten to learn those skills.

*The Calm Old Man*
Age slowed their footwork, not their fight IQ. They don’t waste movement. They stand in the pocket, block with minimal motion, and fire back when you overcommit. Decades of timing mean they don’t need speed. They need you to be impatient. The danger is underestimation. You think “I’m faster” and walk into a trap that’s been set since 1990. They win with efficiency, angles, and shots you never saw coming.

*Other Concerns*

*Heavy Breathers*
These are the guys with terrible gas tanks. Dangerous because panic is contagious. They start huffing, sloppy, and slinging wild shots as they tire. Defense disappears, but offense gets desperate. You have to stay sharp because a gassed opponent throws from weird angles and doesn’t pull shots. They’ll also clinch and lean to rest, which drains your stamina too. You can get hurt trying to “be nice” while they’re in survival mode.

*Dirty Fighters*
Not illegal, just cheap. Knees in the clinch during light sparring, grinding forearms, stepping on feet, “accidental” headbutts. They bend the unwritten rules of the gym. The danger is escalation. You either let them get away with it and get banged up, or you match their energy and now nobody’s learning. They turn technical sparring into a street fight and increase injury risk for everyone.

*Trash Talkers*
They fight with their mouth nonstop. The point is to break your focus. If you’re thinking about their last insult, you’re not thinking about your hands being up. They’re dangerous because emotion beats technique. Get mad and you abandon your game plan, swing hard, and walk onto counters. The best ones know exactly what to say to make you fight their fight instead of yours.

*Show Offs*
Flash over function. Spinning kicks, flying knees, and TikTok combos in round 1 of sparring. Most of it doesn’t land, but the danger is when something dumb _does_ land. You’re not prepared for it because no sane person throws a 720 in light sparring. They also tend to go harder than the agreed pace to “look good”. When they get tired or countered, they often get embarrassed and dirty.

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Simon, this begs the question, which type(s)
are you?
 
Simon, this begs the question, which type(s)
are you?
Hahaha, thanks for asking :)

Hmmm a tricky one, but a bit of a mix of Silent Killer, I DO love low kicks, but also high and some flashy kicks. Mainly am patient, but when the timing is right am pretty relentless!

I feel I change up my style depending on who I face though!
 
Liver shot. It's interesting to watch your opponent's face so many different colours.
 
Not sure which sparing type this would be…

Watched a match between a Chinese police officer using sanda an another guy from Thailand, possibly a Thai police officer using Muay Thai

  1. Sanda guy just stands there in a boxing stance, feet don’t move
  2. Muay Thai guy comes in throws a series of punches and kicks, then backs off
  3. Sanda guy just stands there in a boxing stance, feet don’t move, occasionally blocks
  4. Muay Thai guy comes in throws a series of punches and kicks, then backs off
  5. Sanda guy just stands there in a boxing stance, feet don’t move, occasionally blocks
  6. Muay Thai guy comes in throws a series of punches and kicks
  7. Sanda guy throws a couple punches, otherwise still no footwork
  8. Muay Thai guy is knocked out
  9. Fight over… less than a minute
 
Hahaha, thanks for asking :)

Hmmm a tricky one, but a bit of a mix of Silent Killer, I DO love low kicks, but also high and some flashy kicks. Mainly am patient, but when the timing is right am pretty relentless!

I feel I change up my style depending on who I face though!
you get a good TKD guy they can kick you into the next century!
 
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