Is BJJ a TMA?

The term TMA itself implies that there is a Tradition of practicing and teaching that method. For how many years or decades or generations it needs to be practiced and taught in order to be “long enough” to qualify as a Tradition is open to debate. I don’t think it needs to include deliberate cultural trappings in the practice, but they can be part of it. Likewise I don’t think they require the inclusion of kata/forms, but they also can be part of it.

Seriously, I think they are all simply martial arts. Some have a heavy sports focus, others do not. Some have been around long enough to survive the test of time, others are new and limited to one single teacher who recently created it, and has yet to prove its worth. They just are. Humans like to categorize and draw boundaries. Maybe that is a waste of time and energy.

Really, I think a lot of unnecessary energy is wasted in debating what is the difference.
That’s a fair assessment. I never thought about it before joining MT, it just never mattered, like ranks or uniforms.
 
I haven’t been in a dojo since the pandemic started. I have no idea how Martial Arts specifically, or in general, have changed, so take this with a grain of salt.

I trained with a lot of TMA guys. The way I used to define a TMA was the way the people that taught TMAs defined theirs to me, both in and out of their dojos.

In my own words, speaking for them- Ours is a historical Art and is taught and trained the same way it always has been. There are no additions, the Kata will remain the same and will be trained and explored in the same ways, as will the individual techniques and exercises.

A non traditional art would be added to or subtracted from, anytime a different way of training, understanding, moving or fighting was realized. Anything from MMA, a different TMA, paintball, boxing, football, modern weapons, whatever.
 
The way I used to define a TMA was the way the people that taught TMAs defined theirs to me, both in and out of their dojos.

In my own words, speaking for them- Ours is a historical Art and is taught and trained the same way it always has been. There are no additions, the Kata will remain the same and will be trained and explored in the same ways, as will the individual techniques and exercises.
Yeah, that was (and still is in some places, I'm sure) the concept held by many, many TMA practitioners.

The problem is that "the same way it always has been" is a myth. I'm sure many TMA instructors are honestly doing their best to teach exactly the way their teacher taught them. What they may not realize is that their teacher may have taught other people at other times differently. And their teacher's teacher probably did things differently. And their teacher's teacher's teacher almost certainly did things differently. And their teacher's teacher's teacher's teacher 100% for sure did things differently.

Katas change over time. Techniques and training methods change over time. Training hall culture and rituals change over time. It happens more quickly in some schools than others, but it happens everywhere.

Perhaps one marker for a "TMA" is the belief in this mythology of an unbroken, unchanging tradition. (Certainly not the only marker. Just in this thread, @isshinryuronin has demonstrated his understanding of the history of change in TMAs.)
 
In my neck of the woods folks only call an art traditional if that specific art was developed by Asians. That's about it.
Most of the MMA BJJ and krav maga guys around here would take it as an insult to be called traditional. As the term implies a less functional art that can't stand up to aforementioned arts.
 
I appreciate your answers and feedback, thank you.
Thank you! Discussions with sincere and knowledgeable people (unknowledgeable is OK if sincere) has:

1. Broadened my understanding and appreciation of other arts and viewpoints.

2. Provided a forum for others to hopefully do the same of my art.

3. Provided an opportunity for me to think about and analyze issues others bring up which often give me new realizations, discoveries and perspectives of MA principles that I either hadn't had, or did have but lurked in the back of my brain and allowed them to surface as I type out a post. I love when those "aha!" moments happen.

4. Provided an outlet for my excess yang energy during the occasionally heated (but hopefully friendly and rational) debates that sometimes arise.

5. Kept me from watching endless old sit-com reruns with my wife when I'm not working out or going to doctors with her.
 
Yeah, that was (and still is in some places, I'm sure) the concept held by many, many TMA practitioners.

The problem is that "the same way it always has been" is a myth. I'm sure many TMA instructors are honestly doing their best to teach exactly the way their teacher taught them. What they may not realize is that their teacher may have taught other people at other times differently. And their teacher's teacher probably did things differently. And their teacher's teacher's teacher almost certainly did things differently. And their teacher's teacher's teacher's teacher 100% for sure did things differently.

Katas change over time. Techniques and training methods change over time. Training hall culture and rituals change over time. It happens more quickly in some schools than others, but it happens everywhere.

Perhaps one marker for a "TMA" is the belief in this mythology of an unbroken, unchanging tradition. (Certainly not the only marker. Just in this thread, @isshinryuronin has demonstrated his understanding of the history of change in TMAs.)
Absolutely valid points, and in my opinion, none of that necessarily disqualifies something as being Traditional. There is a tradition of training and teaching, as I said above. But change is part of that process.
 
In my neck of the woods folks only call an art traditional if that specific art was developed by Asians. That's about it.
Most of the MMA BJJ and krav maga guys around here would take it as an insult to be called traditional. As the term implies a less functional art that can't stand up to aforementioned arts.
Interesting point of view, and I realize a common one.

My take is a bit different. The established long-standing tradition of teaching an old method is because that method has withstood the test of time and proven to be effective, even in the modern age.

A new, modern method has yet to pass the test of time. Perhaps it will, perhaps it will not. That remains to be seen.

I circle back to my earlier comment: they are all just martial arts. Some are older than others. Some are very popular, others less so. Some focus on competition, others do not, and still others some of both.
 
The problem is that "the same way it always has been" is a myth. I'm sure many TMA instructors are honestly doing their best to teach exactly the way their teacher taught them. And their teacher's teacher probably did things differently.

Katas change over time. Techniques and training methods change over time. Training hall culture and rituals change over time. It happens more quickly in some schools than others, but it happens everywhere.

Perhaps one marker for a "TMA" is the belief in this mythology of an unbroken, unchanging tradition
Just some comments on your insightful post. I'll use karate to illustrate, but CMA has some parallels.

1st quoted point - One of (imo, the main one) karate's defining aspect is that it went thru major changes during its 300-year history. 1800, 1900, 1950 and 2000 karate was much different from each other.

Early on, changes were based on historical need as the combat requirements changed. In the early 1900's it changed as its cultural requirements changed, being introduced into the mainstream public school system. In the 1950's American GI's brought the art home and it became Americanized and commercialized, changing again to fit a new cultural environment.

2nd point - Techniques and training methods had to change as the use of karate changed over the years. Warriors to bodyguards, to LE, to public schools to commercial schools, to sport competitors all had different needs, historical and cultural.

When kata were first adopted, teaching was one on one and there were no styles. In this loose, unstructured environment the art, forms were more personalized, and masters visited and shared with each other, like a potluck dinner party. These masters of the art did make kata changes to suit their way as nothing was written in stone then, but the intrinsic lessons contained did not change much. Post 1900, forms were changed in Japan to a less lethal and more basic version for the general public.

Post 1950, American instructors were largely just military guys with limited skills, and more importantly, limited knowledge. They usually had little contact with their teachers and no one to oversee their teaching. This resulted in some degradation as well as natural drift. So, there were two types of kata changes: informed and deliberate, and often accidental or less than ideal deliberately changed.

3rd point - There is knowledge (technical and historical) contained in tradition. Changes in tradition can cause some loss of knowledge. Tradition is also a tie to the past giving appreciation to all that came before and allows us to better understand and appreciate the present TMA. New traditions have been formed that reflect various changes in TMA culture over the years and that's natural

As for "unchanging," this is indeed a myth, as I've described. But this historical and cultural change can be said to be part of the tradition. But I don't agree "unbroken" tradition is mythological. While kata has changed, several from the 1700's still exist in recognizable, if variable, form. We can pretty well trace the general history of karate back into old China. And I can trace my lineage, name by name, mostly unbroken to specific masters in the 1700's. I think that's pretty cool.

.
 
Interesting point of view, and I realize a common one.

My take is a bit different. The established long-standing tradition of teaching an old method is because that method has withstood the test of time and proven to be effective, even in the modern age.

A new, modern method has yet to pass the test of time. Perhaps it will, perhaps it will not. That remains to be seen.

I circle back to my earlier comment: they are all just martial arts. Some are older than others. Some are very popular, others less so. Some focus on competition, others do not, and still others some of both.
Yeah it's a really simplistic way of defining traditional in martial arts lol. By this definition BJJ wouldn't be traditional simply because it has Brazilian in its name.
I tend to think of traditional as being defined as simply something that has been done for several generations at least. If my grandfather did BJJ and my father, and then me, I could start to say that my family traditionally does BJJ. The screwy part is ask me if I think BJJ is a traditional martial art my knee jerk answer is no. But that just may be my bias of being raised in an area where traditional MA is thought of as Asian MA.
 
traditional MA is thought of as Asian MA.
I think TMA has come to be synonymous with Asian/Oriental MA as they were the MA that was first widely introduced/popularized in the West on a large scale and were also the largest family of MA practiced. They largely share a common history, basic principles, culture and philosophy and so we naturally placed them into a single group we now called TMA.

Yes, there are other geographic areas that have their own traditional arts, but we weren't much aware of them Perhaps it's more correct to call TMA, Asian or Oriental Martial Arts, but once something is named and widely accepted, it's hard to change.

Europe also has a tradition of old combat styles, mostly weapon based: Sword, axe, dagger, etc. Though this group is not as popular, they still have come to get their own name, HEMA, and that group of fighting styles shares a general nature, history and principles different than the Oriental arts.

Other geographic areas had their own unique MA but have not been popularized and so have not "earned" their own name. Angel Cabales is credited with bringing the Philippine family of MA to the US, but that was in 1966, after TMA was already in use. But it was, IMO, Danny Innosanto that popularized it (greatly aided by his association with Bruce Lee) in the early 70's. There are various styles, but all sharing a specific geography, evolution and set of principles. So, they get their own name, FMA.

I put arts that have developed mostly in a sport environment in their own general class/es (as I do with specialized military-based combat arts/skills). Judo, while largely a sport, shares enough other criteria, IMO, for it to be TMA. BJJ also originally stemmed from a TMA but lacks enough other criteria common to other "TMA" for me to put it into that category. That's my personal take on it, but it's a fine line.

All this leads to my conclusion that TMA being associated with the Oriental arts is not "biased," but a logical and natural thing. While there are other tma's out there, the Oriental arts got the rights to the term "TMA" (like a domain name) as I outlined.
 
isshinryuronin said:
Other geographic areas had their own unique MA but have not been popularized and so have not "earned" their own name. Angel Cabales is credited with bringing the Philippine family of MA to the US, but that was in 1966, after TMA was already in use. But it was, IMO, Danny Innosanto that popularized it (greatly aided by his association with Bruce Lee) in the early 70's. There are various styles, but all sharing a specific geography, evolution and set of principles. So, they get their own name, FMA.
That's an interesting example, yeah. I discovered FMA through Guro Dan. And I discovered Guro Dan through Bruce Lee. So, as I was first onboarding to FMA, I thought of it (as I imagine many of us did) as a very progressive art. But that's largely down to its association with JKD, which was of course billed as a very progressive art... or not art... or whatever. When I got involved, though, I found how traditional FMA could really be. And, to be fair, much of that was also through Guro Dan. He's never shied from the idea of traditional FMA, in my view. But it's easy to frame FMA as being nontraditional because so many of the tropes of FMA aren't reliably present (e.g., belt systems--which happen but not universally, uniforms--same, etc.).

Southeast Asian arts (e.g., FMA, bando, silat of various types, muay thai, lethwei, etc.) were gaining attention in the early 90s, largely thanks to the Inosanto Circle (though not exclusively of course). I'd agree that FMA still hasn't "arrived" in the way that some other styles have. Even experienced martial artists don't necessarily watch the new Dune movies and think "that's Balintawak," for instance.

TMA is a useful term in some ways, but not because it faithfully and literally describes a concrete thing. It doesn't describe martial arts that are traditional versus those that aren't. It describes a public perception shaped by a lack of information. No malice in it. It just represents a snapshot in time.
 

Latest Discussions

Back
Top