Cruentus
Grandmaster
How good's your left compared to your right? (or right compared to your left if your a leftie)
My right exceeds my left, however I can fight well with both.
How many of you train your weak hand?
I injured my right hand yesterday (sprained wrist), and at the moment I can't even hold a stick in my right hand well. At least not well enough to spar. When I did it in the flint dojo (at the time I was hitting a bag, of which I seperated the stuffing of the bag with a right hook which caused it to fold on my hand hyperextending my wrist), I just kept hitting with the good hand until my turn was over.
If I was in a self-defense situation, the probability of an injury to either hand exists. If I had a weapon, I better know how to switch hands. Empty hand, I better know how to make my left side my power side, or my primary attack side.
And since I better know how to use my weak side, then I'd better train it.
I was very lucky that in my Modern Arnis training, Remy Presas made it a point that we bacame strong with our weak sides.
How about you? What do you or does your art do to train both sides? How is this addressed in your class?
Looking for good thoughts and to learn from all of you.
:asian: :ultracool
Paul J., MOD
My right exceeds my left, however I can fight well with both.
How many of you train your weak hand?
I injured my right hand yesterday (sprained wrist), and at the moment I can't even hold a stick in my right hand well. At least not well enough to spar. When I did it in the flint dojo (at the time I was hitting a bag, of which I seperated the stuffing of the bag with a right hook which caused it to fold on my hand hyperextending my wrist), I just kept hitting with the good hand until my turn was over.
If I was in a self-defense situation, the probability of an injury to either hand exists. If I had a weapon, I better know how to switch hands. Empty hand, I better know how to make my left side my power side, or my primary attack side.
And since I better know how to use my weak side, then I'd better train it.
I was very lucky that in my Modern Arnis training, Remy Presas made it a point that we bacame strong with our weak sides.
How about you? What do you or does your art do to train both sides? How is this addressed in your class?
Looking for good thoughts and to learn from all of you.
:asian: :ultracool
Paul J., MOD