I think an important point is that the basic mechanics in the form are basic mechanics and can be interpreted in many ways.
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My thought is more like in music, a scale is a scale, an interval is an interval, a chord is a chord, etc... the interpretation of those particular basic concepts, their use and application, is open to a wide range of possibilities, based on the given artist. None of them is particularly wrong, some may seem more appropriate to a given listener.
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I think what's important is that you "know" what you are doing in the sense that you visualize your opponent when you are doing the technique and can explain why and what it's for. If you are willing to do that and to keep your mind open and allow yourself to keep working through the possibilities, then perhaps over time you w ill realize that maybe your technique is not so effective as you thought for that attack... or you may come up with a better rationale... or you may find that it really works.
But for yourself I think it's important to not get stuck in a mode where "this technique is for this attack/situation and that's it". Keep yourself open
That is an excellent analogy!
I think that sums up things rather nicely.
Peace,
Erik