First off, my martial arts skills are not crap.
I really wouldnÂ’t know what your skills are and made no mention of your personal skills.
Secondly, if you think that it is a bad idea to cross train to gain skills in the various ranges then take a gander at the UFC etc.
The original question wasnÂ’t about competition training, therefore the UFC reference is irrelevant.
That you would use different footwork and utilize your body mass differently when striking than you would during grappling is rather obvious.
Apparently it is obvious but the implication isnÂ’t to you.
If you think that, therefore, one should either be a striker or a grappler and not mix the two for some bizzare fear of getting a crap result, then I would say that it sounds as if you have limited experience.
I’m afraid you are attributing things to me I have not alluded to nor inferred. Also As I haven’t made any comments about your “experience,” perhaps you should give me the same respect regarding my experience.
Kyokushin Kai, for instance, mixes grappling and striking freely. It is because Oyama had black belts in karate and judo. I would not call that a crappy mixture.
Perhaps you have lost sight of the original question and have personalized these comments. However, to make a comparison of what Mas Oyama ultimate accomplished in his own art drawing from various sources would seem to be also irrelevant.
Let me remind you of the original question:
Hello everyone. A quick question if I may... Do you think it is possible to learn more than 1 striking art at the same time? I'm a white belt in Okinawan Goju-Ryu right now, and I like it very much, but I'm also interested in the Ed Parker system.
Do you think it's possible to pull off training in two different systems at the same time while one is still a greenhorn? I was a red belt in taekwondo years ago, and I have noticed that my Goju-Ryu stances are affected by the habits I learned in taekwondo, even 12 years later. Do you think I would have similar technical problems trying to learn kenpo?
It appears a beginner in another art is asking whether or not he should also tackle Ed ParkerÂ’s kenpo at the same time. For all the reasons previously stated, as well as others, my opinion is no.
I further suggest that everyone is not capable of elevating themselves to the status of an Ed Parker, or Mas Oyama to create their own style from various martial influences. Of course everyone these days seems intent on doing so, and I reiterate that most of it is crap. Now whether or not that includes you, I wouldnÂ’t know, but I do know a bit about learning and teaching Ed ParkerÂ’s Kenpo and I am entitled to my knowledgeable opinion. You of course are entitled to your opinion as well, whatever itÂ’s source may be.