This all really comes down to how well-versed you want to be and how deeply you want to devote yourself to the art. Taking the ego completely out of the equation then you are left with what is. The Dragon pole is a part of the art. Butterfly swords are part of the art. My particular view is if it is available then expose yourself to it completely.
Weapons were put in the art for a reason. I have experience in the Dragon pole in particular because I have completed the form. I already have 2 other pole forms in my Kempo background, a Chinese broadsword form, a Spear form, and a Japanese Sai form. What I can tell you of the significance of those isÂ…
The longer weapons (spear and staff) exercise and condition the muscles and flexibility of the back. They also develop a sensitivity that is similar to grabbing and controlling an opponent by grabbing them at the wrist and elbow or shoulder (imagine holding a persons arm the same way as you would hold the staff). The movements of the pole forms can be translated to throws, arm breaks, etc. when drilling this type of connection.
The Chinese broadsword (dao) exercises the muscles of the shoulder girdle (scapula, ball socket, trapezius, pectorals). The smooth cutting of the broadsword can be translated into throws, locks, strikes as well. IÂ’m sure you have seen forms where one hand wields the sword and sometimes, as a check, the other hand will support the blade on the spine edge. Now imagine an opponents arm in that two handed clutch instead of a sword. These type of techniques are also taught in Tai Chi Pushing hands and also come out in Wing Chun Chi Sao when using both arms and doing locks or Chin Na.
The Japanese Sai are unique in that the movements of Â’flipping/flickingÂ’ in and outward are really good for strengthening the forearm and grip. If you have ever grabbed a persons hand and applied the classic Â’gooseneckÂ’ lock, the Sai forms do this repeatedly. Very good Chin Na conditioning if you ask me.
The Jian (Chinese straight sword) conditions all of the muscles down the arm and along the wrist. So this obviously builds striking power as well.
As for the Butterfly swordsÂ… they have a unique dynamic as well. Sifu has demonstrated Â’battleÂ’ techniques and referred to the movements as Jut-sao, Bong-sao etc. the same as he would in the hand forms and the energies are the same. I have not learned the swords as they are reserved for his masters (only two in Detroit that I know of for sure.)
Any useful form will have a science of footwork which teaches how to make the feet follow the hands. Weapons are no different. Bare handed or armedÂ…your two feet carry you into the fray and out of it.
My personal philosophy is to at some point have a Staff, Spear, Broadsword, and Straight sword form. These are the four fundamental Chinese weapons. Learn these and you have the foundation for them all. So far I still have a straight sword to learn.
Lastly I say thisÂ… our benefactors of this art have never seemed to be men of wasteful thinking. Wing Chun is a noble and effective art. If we are to be the stewards of this knowledge then we owe it to the masters before us and to ourselves to see it preserved completely. If its worth doingÂ… its worth doing right.
Love, Peace & Chitlin' Grease