I still remember that take down don't get any point. But the follow up striking after take down will get point.
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I still remember that take down don't get any point. But the follow up striking after take down will get point.
That's what I'm talking about! That brought back some memories. Saw Darnell Garcia and Benny Urquidez in action as well as Ed Parker and a couple fighters and refs whose names I can't put with the faces. Benny looked fearsome, didn't he? A force of Nature. That clip was pretty representative of some of the more intense matches. Get hit in the face, just smile. It was exhilarating to have exchanges like that, win or lose. A good contrast of fighting style between then and what we see now. Thanks for coming up with it.
Benny "The Jet" Urquidez fought Kong Fu Tak in 1981 in Hong Kong. This notable, often discussed "death match" or inter-style challenge occurred during the WKA's "Road to Hong Kong" event.IMO, all of these finalists would get creamed in a match with a competent fighter from the 60's or 70's. It's way past my bedtime now, but I had to vent so I can get to sleep. It may have been the WKF, but I say WTF!
If Kong Fu Tak had similar ring experience and conditioning, the fight likely wouldāve looked very different.It wasnāt ākung fu doesnāt workāāit was a trained competitor vs. a non-competitive stylist under full-contact rules.
Bottom line:
it was essentially traditional kung fu vs. full-contact kickboxing, with a big gap in real ring experience.
No ⦠it was someone being billed as a classically trained kung fu fighter vs. Benny the Jet ā¦
without any real ring experience to back it up. Nothing in his movement reflected that background.
He looked like anyone else stepping into the ring without experience.
That was actually pretty common back in the 70s ā people labeled or presenting themselves as representatives of CMA without having the skill set or experience to express it under those conditions.
The curse of most kung fu, only looking for power generation and to marvel on it.Nov 4, 2025
Zhao Honggang, a student of Tongbei influencer and self-proclaimed master Ge Wuyuan, decided to try his Tongbei skills on Power Slap. Yes, a Tongbei Kungfu guy answered the call to test themselves in a slapping competition! Let's see how this Tongbei guy does when taking on professional martial artists!
Ge Wuyuan (also known as Chen Kuo) is a prominent martial artist and a ninth-generation inheritor of Qijia Tongbeiquan, a branch of the traditional northern Chinese martial art Tongbeiquan. He gained international attention through the viral intersection of traditional kung fu and modern combat sports, specifically within the Power Slap community.
There are a few different claims mixed together in that argument, so it helps to separate them: power generation mechanics, ruleset/context, and training methods.
1) Is TCMA (like Tongbeiquan) better at generating power?
Short answer: not inherentlyāboth systems can generate high power, but they prioritize and train it differently.
- Tongbeiquan (TCMA)emphasizes:
- Whole-body whipping mechanics (often described as āfrom the backā or āthrough the spineā)
- Relaxation ā sudden acceleration (a āsnapā rather than constant tension)
- Long-range striking and kinetic chaining
- Boxing (modern combat sport)emphasizes:
- Ground-up force (feet ā hips ā torso ā arm)
- Tight kinetic efficiency under pressure
- Repetition against resisting opponents
Biomechanically, both are using the same underlying principle:
kinetic chain.
So the idea that TCMA has special or superior power generation isnāt really supported. Itās more accurate to say:
- TCMA theoretically teaches good power mechanics
- Combat sports consistently pressure-test and refine them
2) Why did the boxer-looking competitor seem more effective?
This is where context matters more than style.
A. Power Slap is a very specific skill
The event itselfāPower Slapāis NOT a fight. It rewards:
Thatās very different from either:
- One-shot impact delivery
- Ability to absorb impact without flinching
- Timing within strict rules
So success here doesnāt prove one system is better overall.
- Sparring
- Self-defense
- Traditional forms practice
B. Training specificity beats theory
Boxers (or combat sport athletes in general) typically:
That creates:
- Hit pads and heavy bags thousands of times
- Spar against resistance
- Train under fatigue and pressure
Many TCMA practitioners:
- Better timing
- Better impact conditioning
- Better delivery under stress
- Spend more time on forms, drills, or cooperative practice
- May not train full-force striking regularly
Result: even if the mechanics exist, theyāre often less stress-tested.
C. The āno flinchā rule matters a lot
The video makes a good point here.
In real striking:
Thatās basic impact mitigation and relates to reflexive responses like:
- You donāt stay fully tensed
- You brace at the last moment
But in Power Slap:
- startle reflex
- Timing-based muscle activation
So someone unfamiliar with the rules might:
- You must appear not to flinch
- Youāre essentially forced into unnatural preparation
- Over-tense early (bad for shock absorption)
- Mis-time their brace
3) Does this mean TCMA is less effective than modern combat sports?
In most tested environments, yesāmodern combat sports tend to outperform.
Not because TCMA is āfake,ā but because:
That gap shows up in:
- Combat sports = alive training + resistance + competition
- TCMA (in many cases) = less consistent pressure testing
- MMA
- Kickboxing
- Even niche events like Power Slap
4) About Zhao Honggang specifically
Credit where itās dueāstepping into something like this takes real courage.
One performance in a niche event doesnāt define:
- Zhao Honggang tested his skill publicly
- Thatās more than most practitioners of any style do
- His skill
- His system
- Or TCMA as a whole
Bottom line
- Power generation: Both TCMA and boxing use the same physics
- Effectiveness: Comes from training method, not style label
- This result: Likely reflects experience and specificity, not āTCMA vs boxingā superiority
If you want, I can break down the actual slap mechanics (frame-by-frame style) and point out exactly where the power difference likely came from.
Benny "The Jet" Urquidez fought Kong Fu Tak in 1981 in Hong Kong. This notable, often discussed "death match" or inter-style challenge occurred during the WKA's "Road to Hong Kong" event.
Kong Fu Tak (often billed as āKung Fu Takā) was a Hong Kong martial artist and stunt performer whose background was rooted primarily in traditional Chinese kung fu, rather than competitive kickboxing like his opponent.
His martial arts background:
- Traditional Chinese Kung Fuā He trained in southern Chinese styles, with a strong emphasis on:
- Hung Garātype techniques (powerful stances, hand strikes)
- Choy Li Fut influences (wide, swinging strikes and mobility)
- Forms (kata) and performance fighting ā Like many Hong Kong film-era fighters, his training included choreographed combat and demonstration-style sparring.
- Limited full-contact competition experience ā Unlike Benny Urquidez (āBenny the Jetā), Tak was not primarily a ring fighter, which showed in their bout.
Key contrast in that fight:
- Kong Fu Tak ā traditional stylist, more upright stance, less experience with modern ring tactics
- Benny Urquidez ā full-contact kickboxing champion, blending karate, boxing, and practical ring strategy
Bottom line:
Kong Fu Tak was a classically trained kung fu practitioner and film fighter, not a modern competitive kickboxerāso when he faced Urquidez, it was essentially traditional kung fu vs. full-contact kickboxing, with a big gap in real ring experience.
If you want, I can break down the actual fight and why it ended so quickly.
The fight between Kong Fu Tak and Benny Urquidez is a classic example of style vs. reality under pressureāand it ended very quickly because of a few key factors.
What actually happened (breakdown)
1.
- Kong Fu Tak came in with a traditional kung fu stance:
- More upright
- Hands lower and wider
- Designed for forms and controlled exchanges
- Urquidez used a tight, modern fighting guard:
- Hands high (boxing-style)
- Balanced stance for kicking and punching
- Constant movement and pressure
Right away, you can see Tak isnāt used to full-contact ring distance and timing.
2.
This is crucial:
- Urquidez immediately closed the distance
- He cut off space and forced Tak backward
Traditional kung fu often assumes a different rhythm, while Urquidez fought like a professional ring tacticianācontrolling range and pace.
3.
- Urquidez launched a fast combination
- Tak tried to respond but:
- His guard wasnāt tight enough
- His reactions werenāt conditioned for full-speed combinations
Urquidez landed clean, powerful strikes (punches and/or kicks depending on the version of the footage youāve seen), overwhelming him almost instantly.
4.
- Tak was quickly knocked down/overwhelmed
- The fight was stopped very early (often described as a near-instant stoppage)
Why it ended so fast
1.
- Urquidez: seasoned full-contact champion
- Tak: mostly traditional + performance-based fighting
This is the biggest factor.
2.
- Urquidez trained with:
- Full-speed sparring
- Real impact conditioning
- Ring strategy
- Takās training likely emphasized:
- Forms
- Controlled drills
- Limited full-contact pressure
3.
- Takās open guard left him exposed
- Urquidez exploited it immediately with tight, efficient striking
Getting hit full force, at speed, by a pro fighter is a completely different experience if youāre not used to it.
4.
Tak looked unprepared for that intensity.
This fight is often cited to show:
Big takeaway
If Kong Fu Tak had similar ring experience and conditioning, the fight likely wouldāve looked very different.
If you want, I can compare this to other ātraditional vs. full-contactā matchups (some had very different outcomes).
Marvin8, is there a reason youāre starting to add extensive AI-written essays to your posts? We donāt have a rule against it at this point, but personally Iām more interested in having a conversation with people than with programs.Nov 4, 2025
Zhao Honggang, a student of Tongbei influencer and self-proclaimed master Ge Wuyuan, decided to try his Tongbei skills on Power Slap. Yes, a Tongbei Kungfu guy answered the call to test themselves in a slapping competition! Let's see how this Tongbei guy does when taking on professional martial artists!
Ge Wuyuan (also known as Chen Kuo) is a prominent martial artist and a ninth-generation inheritor of Qijia Tongbeiquan, a branch of the traditional northern Chinese martial art Tongbeiquan. He gained international attention through the viral intersection of traditional kung fu and modern combat sports, specifically within the Power Slap community.
There are a few different claims mixed together in that argument, so it helps to separate them: power generation mechanics, ruleset/context, and training methods.
1) Is TCMA (like Tongbeiquan) better at generating power?
Short answer: not inherentlyāboth systems can generate high power, but they prioritize and train it differently.
- Tongbeiquan (TCMA)emphasizes:
- Whole-body whipping mechanics (often described as āfrom the backā or āthrough the spineā)
- Relaxation ā sudden acceleration (a āsnapā rather than constant tension)
- Long-range striking and kinetic chaining
- Boxing (modern combat sport)emphasizes:
- Ground-up force (feet ā hips ā torso ā arm)
- Tight kinetic efficiency under pressure
- Repetition against resisting opponents
Biomechanically, both are using the same underlying principle:
kinetic chain.
So the idea that TCMA has special or superior power generation isnāt really supported. Itās more accurate to say:
- TCMA theoretically teaches good power mechanics
- Combat sports consistently pressure-test and refine them
2) Why did the boxer-looking competitor seem more effective?
This is where context matters more than style.
A. Power Slap is a very specific skill
The event itselfāPower Slapāis NOT a fight. It rewards:
Thatās very different from either:
- One-shot impact delivery
- Ability to absorb impact without flinching
- Timing within strict rules
So success here doesnāt prove one system is better overall.
- Sparring
- Self-defense
- Traditional forms practice
B. Training specificity beats theory
Boxers (or combat sport athletes in general) typically:
That creates:
- Hit pads and heavy bags thousands of times
- Spar against resistance
- Train under fatigue and pressure
Many TCMA practitioners:
- Better timing
- Better impact conditioning
- Better delivery under stress
- Spend more time on forms, drills, or cooperative practice
- May not train full-force striking regularly
Result: even if the mechanics exist, theyāre often less stress-tested.
C. The āno flinchā rule matters a lot
The video makes a good point here.
In real striking:
Thatās basic impact mitigation and relates to reflexive responses like:
- You donāt stay fully tensed
- You brace at the last moment
But in Power Slap:
- startle reflex
- Timing-based muscle activation
So someone unfamiliar with the rules might:
- You must appear not to flinch
- Youāre essentially forced into unnatural preparation
- Over-tense early (bad for shock absorption)
- Mis-time their brace
3) Does this mean TCMA is less effective than modern combat sports?
In most tested environments, yesāmodern combat sports tend to outperform.
Not because TCMA is āfake,ā but because:
That gap shows up in:
- Combat sports = alive training + resistance + competition
- TCMA (in many cases) = less consistent pressure testing
- MMA
- Kickboxing
- Even niche events like Power Slap
4) About Zhao Honggang specifically
Credit where itās dueāstepping into something like this takes real courage.
One performance in a niche event doesnāt define:
- Zhao Honggang tested his skill publicly
- Thatās more than most practitioners of any style do
- His skill
- His system
- Or TCMA as a whole
Bottom line
- Power generation: Both TCMA and boxing use the same physics
- Effectiveness: Comes from training method, not style label
- This result: Likely reflects experience and specificity, not āTCMA vs boxingā superiority
If you want, I can break down the actual slap mechanics (frame-by-frame style) and point out exactly where the power difference likely came from.
I don't know...sometimes I have a question I used to ask on this forum, but now I'll go to Gemini instead. Unlike most people, Gemini's answers are on topic and aren't filtered through the anecdotes its experienced.but personally Iām more interested in having a conversation with people than with programs.
I stayed up late to watch a 2023 WKF tournament final on TV, and even later to post this. There was plenty of action, but it was the same action over and over. Three different matches, six "fighters", each with three minutes of sparring action. The only scoring (or even executed) techniques were lead roundhouse kicks and reverse punches - that's it, just two techniques!
All six used the same stance: Very deep (so vulnerable to sweeps, but I guess that's not legal now) facing sideways with constant bouncing. Very little in the way of tactics, just quick hops in and a scoring attempt with one of the two moves I mentioned. Zero lateral movement. Multidimensional it was not. A formal warning was given to one fighter for "excessive" contact to the face with a padded hand - no blood or even head snapping back.
Gi's had manufacturer's name prominently displayed in large letters, and at least one had a sponsor's name/logo as well.
IMO, all of these finalists would get creamed in a match with a competent fighter from the 60's or 70's. It's way past my bedtime now, but I had to vent so I can get to sleep. It may have been the WKF, but I say WTF!
It's a very real problem.The purpose of point sparring is as old as time, it's why kungfu came up with choreographed 2 man sets and exercises like push hands. You need to train but you don't want to injure your opponent. You want to fortify the art but not completely neuter it. You want to sportify to promote the art among the population but you don't want just anyone to join and then give up six months later. These are real issues faced by the heads of lineage, the creators of styles, the coaches of a nation.
In fact, many people would be more than happy with some subset of the arts which was applicable in self-defense. Well, let's just say that it is not an easy problem to solve, some arts have solved it, most have not. But all solutions involve a subset of whatever a complete art would look like.
From what I hear the problem is still being worked on. But I do think we are devolving slowly over time.
Yesājust using it to help organize and clarify what Iāve already discussed in prior posts. Iām open to discussing any part of it further.Marvin8, is there a reason youāre starting to add extensive AI-written essays to your posts? We donāt have a rule against it at this point, but personally Iām more interested in having a conversation with people than with programs.
I don't think there's a real answer to the question. The more you sporterize an art, the more opportunity you give people to have goals within the art, but the less you focus on what works in the real world. If you shift your focus to self-defense, focusing on situational simulations will generally lead to lower-fidelity training. (For example, we're not going to actually gouge each other's eyes out in sparring).
I have quite a lot of sparring tape outside my WT Olympic run, but sadly, I have very little of it. The circuit took me far from home often and usually, it was just me and my coach who Hated video. Old school Korean.
I'd be really curious to here your own thoughts, rather than copy and paste out of an AI chat. (The formating is a bit of a giveaway.)Benny "The Jet" Urquidez fought Kong Fu Tak in 1981 in Hong Kong. This notable, often discussed "death match" or inter-style challenge occurred during the WKA's "Road to Hong Kong" event.
Kong Fu Tak (often billed as āKung Fu Takā) was a Hong Kong martial artist and stunt performer whose background was rooted primarily in traditional Chinese kung fu, rather than competitive kickboxing like his opponent.
His martial arts background:
- Traditional Chinese Kung Fuā He trained in southern Chinese styles, with a strong emphasis on:
- Hung Garātype techniques (powerful stances, hand strikes)
- Choy Li Fut influences (wide, swinging strikes and mobility)
- Forms (kata) and performance fighting ā Like many Hong Kong film-era fighters, his training included choreographed combat and demonstration-style sparring.
- Limited full-contact competition experience ā Unlike Benny Urquidez (āBenny the Jetā), Tak was not primarily a ring fighter, which showed in their bout.
Key contrast in that fight:
- Kong Fu Tak ā traditional stylist, more upright stance, less experience with modern ring tactics
- Benny Urquidez ā full-contact kickboxing champion, blending karate, boxing, and practical ring strategy
Bottom line:
Kong Fu Tak was a classically trained kung fu practitioner and film fighter, not a modern competitive kickboxerāso when he faced Urquidez, it was essentially traditional kung fu vs. full-contact kickboxing, with a big gap in real ring experience.
If you want, I can break down the actual fight and why it ended so quickly.
The fight between Kong Fu Tak and Benny Urquidez is a classic example of style vs. reality under pressureāand it ended very quickly because of a few key factors.
What actually happened (breakdown)
1.
- Kong Fu Tak came in with a traditional kung fu stance:
- More upright
- Hands lower and wider
- Designed for forms and controlled exchanges
- Urquidez used a tight, modern fighting guard:
- Hands high (boxing-style)
- Balanced stance for kicking and punching
- Constant movement and pressure
Right away, you can see Tak isnāt used to full-contact ring distance and timing.
2.
This is crucial:
- Urquidez immediately closed the distance
- He cut off space and forced Tak backward
Traditional kung fu often assumes a different rhythm, while Urquidez fought like a professional ring tacticianācontrolling range and pace.
3.
- Urquidez launched a fast combination
- Tak tried to respond but:
- His guard wasnāt tight enough
- His reactions werenāt conditioned for full-speed combinations
Urquidez landed clean, powerful strikes (punches and/or kicks depending on the version of the footage youāve seen), overwhelming him almost instantly.
4.
- Tak was quickly knocked down/overwhelmed
- The fight was stopped very early (often described as a near-instant stoppage)
Why it ended so fast
1.
- Urquidez: seasoned full-contact champion
- Tak: mostly traditional + performance-based fighting
This is the biggest factor.
2.
- Urquidez trained with:
- Full-speed sparring
- Real impact conditioning
- Ring strategy
- Takās training likely emphasized:
- Forms
- Controlled drills
- Limited full-contact pressure
3.
- Takās open guard left him exposed
- Urquidez exploited it immediately with tight, efficient striking
Getting hit full force, at speed, by a pro fighter is a completely different experience if youāre not used to it.
4.
Tak looked unprepared for that intensity.
This fight is often cited to show:
Big takeaway
If Kong Fu Tak had similar ring experience and conditioning, the fight likely wouldāve looked very different.
If you want, I can compare this to other ātraditional vs. full-contactā matchups (some had very different outcomes).
No, but I've seen the opposite. Moderately trained point fighters against those brand new to the sport. Often those brand new are intimidated even by the softer level of contact in point fighting and are nervous or even scared of getting hit. Or hitting someone else.Has anyone here sparred(point fighting style) against some of the top point fighters of today ? I mean facing on the mat one might see differently
Yes but I asked if anyone has squared off with some of the top point fighters of today, because I guess itās them the op write about seeingNo, but I've seen the opposite. Moderately trained point fighters against those brand new to the sport. Often those brand new are intimidated even by the softer level of contact in point fighting and are nervous or even scared of getting hit. Or hitting someone else.
I'm mainly talking about kids in this case, but it does happen with adults too. Exposure to sparring in a controlled environment usually helps them overcome this.