Hey guys,
I thought it be interesting for all of us to share our basic technique with each other from the different lineages to see the subtle and not so subtle differences. Footwork is probably the biggest thing that I personally want to see. I don't want this to start a lineage war or anything of that sort, just an honest sharing that maybe all of us could learn from. --Thanks[/url]
Sorry, I don't have a video of my footwork to post. That's just as well too, since with my screwed up ankles, my personal footwork is not a very typical representation of my lineage: Yip Man-Leung Ting-me (although now a member of a separate organization, the NVTO).
So I guess I'll just make some comments about your video. First, I really like the interior of your house. Lots of artwork on the walls and a piano in the corner. Nice. I live in the better part of Phoenix. That's to say, the older part,
not the pricier part. But, as a native Arizonan, I'd move to Tucson in a flash if circumstances pemitted!
Now to the footwork. I notice you turn both feet simultaneously, pivoting on your heels. That's the first method I learned, but Leung Ting insisted that I re-learn turning, pivoting one foot at a time, on the center of the sole of the foot, using knee adduction to move the foot. The advantage is that you are very rooted with your center of gravity mid-way between toe and heel, and with one foot stationary and gripping the floor at any moment. The disadvantage is possible loss of speed. The Fong method is really fast.
As for advancing steps, you appear to have something like a 70-30 or 60-40 rear to front weighting ratio. Under LT I learned a full back weighted stance. It makes stepping hard work at first, but it really frees up your front leg. Another thing, when you have one leg forward in an advancing stance, you favor a slightly open alignment with your front toe on a line with your rear heel. We favor a linear alignment with the front foot directly in front of the rear, with both angled to the side 45 degrees. The open alignment may offer a bit more lateral stability and, perhaps, make it easier to kick through with your rear leg. The closed alignment offers a narrower target and better groin protection.
Finally, and I don't fully understand it, but you have a very
bouncy way of moving and stepping... almost bobbing as you move. I don't know if this is a characteristic of your lineage or a personal thing. Maybe doing WC just makes you really happy? I know it can have that effect on me. Oh well. Either way, I was taught that there was a "right way and wrong way" to do all these steps. But I don't really believe that. I think that the different approaches we see by prominent masters represent their personal preferences, and that each probably trades some benefits for some risks. When we decide which way to go, we should make a careful benefit vs. cost analysis. It's kind of like what you were posting on that other forum about waking up one day with your eyes finally opened wide about the limitations inherent in this art that you love. I didn't respond to your thread, but I totally agree. I got to the same point in my early thirties after about 10 years in the art. But unlike you, I ended up dropping out completely for a very long time. Bad choice. Probably a better choice is to hang in there, cross-train, share ideas, and develop to whatever your personal potential is. Good luck.. and if I ever get down to Tucson, we should get together.