Those "Ah Ha moments"... the little detail that changes everything....

wab25

Master Black Belt
Joined
Sep 22, 2017
Messages
1,377
Reaction score
1,242
I thought I would start a thread here where we could all share our "Ah Ha" moments in whatever art we study. These are the moments where we learn a new detail that totally changes our effectiveness for a particular technique. Maybe through sharing, other people can find the same detail helpful to them.... I'll start out and share one of mine.

So, I just went to a multiday clinic in Danzan Ryu. One of the classes was very small, so when the instructor asked what we wanted to work on... I asked to work on chokes, specifically lapel chokes from mount. Now, I can do these chokes and have choked a few people out with them during randori. But, these choke outs have been due mainly to sheer determination and strength and less due to great technique. I have seen and tried many variations (reach deep in the collar so you hands touch behind the neck.... leave more lapel between the hands to use as a rope... put your arms in with the flat of the fore arm against the neck, then apply by rotating the blade of the arms in... straighten the wrist to apply.... etc) they all kind of worked for me... but still fell into the "worked through dogged determination" rather than "worked due to slick technique."

The instructor showed his variation for sinking the hands in and getting the lapel and then applying the choke. I tried doing what was shown and immediately felt the lack of technique and reliance on determination thing coming in yet again. The instructor watched what I was doing and asked me to make a small adjustment. When I was applying the choke from the mount position... I would pull with my arms and drop my body onto the other guy, trying to put my head to the mat. Thats what I saw him doing and what most instructors have told me to do. This one told me to instead, think about taking my weight and putting it on the mat, above the other guys head, not straight down onto him. I didn't hardly even start to apply the choke when I felt this furious tapping out... When I would drop my weight straight onto him, it was actually forcing my arms apart, releasing the choke... causing me to fight my own weight to apply the choke.... which is why it took so much determination. But, by trying to put my weight above his head, it changed the angle enough, that now my weight was helping to apply the choke... And it did not matter which variation of grabbing the lapel I used... they all have started to work and come on fast.

I still don't consider myself good at these. But, the light came on... I can now make these work and it feels like they are working more due to technique than determination. Better yet, I can now see a way forward to cleaning these up, to be all technique. (even some of my other chokes are getting better, due to the work done on this detail in the lapel chokes... I am able to find the same angle adjustments in other types of chokes as well)

I hope you guys will share details that helped open doors for you in your particular arts. I would love to see details about kicks, punches, throws, takedowns, locks...
 

skribs

Grandmaster
Joined
Nov 14, 2013
Messages
7,505
Reaction score
2,532
It took me a long time to get the Pop 540 (AKA Swing 540) roundhouse kick. To clarify what I mean:
  • 540 Roundhouse Kick - Tornado kick landing on the kicking leg (1/2 extra turn after the kick)
  • Pop 540 Roundhouse Kick - Tornado kick starting with the kicking leg in the rear position, requiring a full 360 jump before kicking.
The basic 540 took me 3 attempts before I landed it for the first time. The pop 540 took me 3 years of attempts before I landed it. All of my previous attempts I technically did the 540 jump, but the kick was with my calf at leg level, instead of getting around into a proper roundhouse.

I had to think about it in terms of my hips. My hips were in the way. In order to do the 360 before kicking, you have to get your hips out of your own way twice. The first time to turn your back to the target, and the second to turn your body back towards the target.

What actually helped me a lot is work on the triple front kick (3 kicks in one jump). The application of the hips is different, but the concept is the same. The hips need to switch multiple times in one jump. In the tornado kick (AKA 360 roundhouse) or in the basic double kicks (like double front kick or double roundhouse) there is one hip switch, but in the pop 540 and triple kicks there are two.

With that in mind, it was very easy for me to get the full spin and land the roundhouse.
 

Oily Dragon

Senior Master
Joined
May 2, 2020
Messages
3,257
Reaction score
1,650
When someone mentioned you don't keep your hands up. You keep your elbows in and that keeps your hands up.
In and in front of you, too. My Tai Chi master is great at pointing this out.

Your own elbow caught behind you can be a bad thing.
 

Gyakuto

Senior Master
Supporting Member
Joined
Nov 21, 2020
Messages
2,413
Reaction score
2,100
Location
UK
Engaging my core muscles and maintaining for the duration of a kata transformed my performance.
 

Gyakuto

Senior Master
Supporting Member
Joined
Nov 21, 2020
Messages
2,413
Reaction score
2,100
Location
UK
With my current teacher, I have many ‘ah ha!’ moments because of the level of knowledge of my previous teachers🙄! I don’t think anyone should be allowed to teach in my discipline until they’re 5th Dan or above!
 
OP
W

wab25

Master Black Belt
Joined
Sep 22, 2017
Messages
1,377
Reaction score
1,242
When someone mentioned you don't keep your hands up. You keep your elbows in and that keeps your hands up.
I really like that. I may have to steal that one and play around with it.
 

Latest Discussions

Top