much of this has to be speculation, anyway, so heres some more...
If the training today, in an age where physical martial training to protect one's own life is no longer as necessary as it may have been several hundred years ago, is held outside the temple because the temple is used for worship and is a holy place of religious pursuits, would it have been so different back in the mythic past when Shaolin is said to have birthed so many martial traditions?
the only reason i can think of that this might be the case now and not before is because, since the temple underwent it's most recent restoration, it has become one of the biggest tourist attractions after the great wall. maybe they are making room for all those people?
And if that would be so, how could they train outside the temple with the risk of attack and discovery to great? Wouldn't all the bandits and so on that were such a danger to the monks back then (forcing them to learn so many deadly martial arts) have been a danger to a poorly defended exterior school? Who would guard the monks while they trained?
from what ive seen in photos and video, doesnt the temple have an outer and an inner area with the heart of the temple being probably the most sacred section? your concept of the martial monk and the holy monk is one of my favorites, as we talked about on another thread. it would be highly plausible that all the monks had some level of training, and some were preordained to be the combatants and maybe less holy or whatever. it has some evidence today in the lineage of the martial monks that travel for show. i dont know, but whether they all were fighters to a degree, or just some of them is probably less important than the stories that artists would visit the temple and share with the other fighters there, which fostered the expansion of the arts. if that is true, then shaolin really made a huge impact.
im also inclined to believe that it wasnt simply fighters sharing with other giang hu types while in the temple, the exchange of knowledge and techniques would have to be supportred by at least a few perrenial residents to the temple, right? what i mean is that in order for the occasional visiting master to share his style with another, there would have to be at least a few people there for him to make a connection with, not just anyone, and what are the chances that another quality martial artist was at the temple at the same time, unless they were permanent residents? so the question that i would have would be, who were the permanent residents of shaolin a millenia ago? was it only monks and aspiring holymen, or was there a whole community?
and my other qustion would be concerning the village near shaolin(was it chen village?) and what went on there. i think the pieces of the puzzle would come together then.
now all we need on the boards is a shaolin priest and a very bored historian....
BUT, who is to say that the legends of what came after are entirely wrong...in every legend, there is a kernel of truth.
Bottom line, No one REALLY knows whether the monks of that time developed the skills that are attributed to them...
chufeng, you are so right, and maybe we will never know.
an interesting antecdote would be the history of my primary style, wah lum- here's the 411..... (quoted fr. wahlum homepage)
In the early 1900's an already accomplished martial artist by the name of Lee Kwan Shan entered into the Wah Lum Monastery of Ping To district in Shantung province. There he committed himself to an arduous ten year discipleship in the Praying Mantis system. His teacher, Abbot Ching Yeung, was the fourth generation of the original Praying Mantis system. When Master Lee left the temple he traveled widely, eventually settling down at Sha Cheng village in Canton province. It was here that he combined his Praying Mantis style with his own family system, the Tam Tui (seeking leg) style. Lee Kwan Shan's style was noted for his long fist forms, spear and pole techniques, and whirling broadsword skills. Before his death in 1948 Lee accepted his youngest and last disciple, Pui Chan.
since it's birth is just over a century ago, i think that it gives a good example of what might have been the scenario of the spread of the arts by way of shaolin a much longer time ago...
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