Lobo said:
Yeah, but isn't Maculele more of a dance than a self-defence? Capoeira served as a cover in which the slave could learn/practice how to fight, yet looked like a dance. From what i've seen, Maculele is too over-simplistic.
Today it is done as a dance. It follows a basic drumming rythm and has a fairly simple pattern, but also has a lot of room for spontaneous physical creativity in the same way that capoeira has. Some people even work in the acrobatic techniques from capoeira, to spice up maculele.
It is my belief that Maculele came from the stick, machete, and sword arts that the Africans knew during the colonial era in Brazil. While I cannot prove that, that is what I believe. It is not done as an overtly viable stick fighting technique anymore, but I still believe it's origins were within the fighting arts. This is what happens when social circumstances change and the need that an art once filled changes along with it. This causes the art to change, sometimes to a point where it no longer looks much like what it once was.
The conception that Capoeira was actually disguised as a dance to hide the combat nature is, I think, an oversimplification of the complex circumstances under which the art developed. It is too complex for me to try to explain here on the forum. Instead, I suggest you read
Capoeira, the Jogo de Angola from Luanda to Cyberspace,
Volume one, by Gerard Taylor, published by North Atlantic Books. This book is the best that I have seen, at least in English, in attempting to research and document the vastly complex situation that lead to the development of what we now know as Capoeira. It is not a clean story, and much historical information has been lost so many things may never truly be known, but this book does a good job of attempting to uncover the story as best as possible.