In another thread here in the taekwondo section, the observation was made by Dave that taekwondo was brought here by a small group, grown and modified.
I thought the topic interesting, and maybe a chance to cover some ground here other than KKW issues, kiddie belts, or art & sport debates.
It is also a factor that I had never considered, as I have always viewed taekwondo's development as being driven from Korea or Korean led organizations, such as the three ITF groups. I have never seen the ATA as a major shaper of taekwondo in the US due to the fact that they are fairly insular. I have always seen their influence in the art as more in the administrative/business end. That is view that I am certainly open to changing, as I am hardly an authority on the ATA.
What modifications have been made to the art? What is their nature and are they unique to the US? What do you see as the impetus of these changes?
Daniel
I thought the topic interesting, and maybe a chance to cover some ground here other than KKW issues, kiddie belts, or art & sport debates.
It is also a factor that I had never considered, as I have always viewed taekwondo's development as being driven from Korea or Korean led organizations, such as the three ITF groups. I have never seen the ATA as a major shaper of taekwondo in the US due to the fact that they are fairly insular. I have always seen their influence in the art as more in the administrative/business end. That is view that I am certainly open to changing, as I am hardly an authority on the ATA.
What modifications have been made to the art? What is their nature and are they unique to the US? What do you see as the impetus of these changes?
Daniel
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