I never said you concentrated on one more than the other. What I meant is that as you get more advanced, the more softness there is.
In the first form we teach, gung gee fuk fu kuen, there is very little softness. In the second, fu hok seung ying kuen, the concept of hardness and softness and combining the two is properly introduced. And, there are more soft techniques than in gung gee fuk fu. In the third, ng ying kuen, the concept is deepened, and again, there is more softness. In the most advanced form, tiet sing kuen, the concept is deepened even further, and there is not only one way of doing the form, but the standardised forms contains a lot more softness than ng ying kuen(which could be caused by the lenghth of the form itself)