Thanks for the links. I just had no idea what Kempo / kenpo even looked liked, or its origins. I'm edjacamatin' meself. Have a general idea--looks like its primary distinguishing feature are multiple fast strikes.
Proabably a pretty fair assessment. I would just add that the nature of those strikes are very diverse: spear hand, knife hand, ridge hand, claws (tiger, dragon, eagle)--are some of the common OPEN hand strikes. This is in contrast to some arts that use the closed fist more. And even the closed fist is not limited to boxing-style punches (tho those are included): back fist (strike with back knuckles), hammer fist (strike with meat at bottom of fist), and half fist or leopard's paw (strike straight on with second knuckles in rigid formation). Anyway, this is certainly not exhaustive, but may help give you some idea.
Also, these strikes can come from many directions as moving is also a big part of kempo ('m' for me, Mike :ultracool--think you got it right in your distinction). If you run across a kempo wheel (can see it in many logos and patches), you'll se it has 8 spokes: front, back, side to side, and all four obliques. Kempo moves in and out of striking, grabbing, locking, throwing range at all these angles--which opens up many, many pressure points (or 'extra credit' spots, as Lane and Wilder call them in their book
The Way of Kata, tho true experts like Doc might take exception to that way of thinking

).
So, hand and foot technique (form), quickness to change position, and ability to hit the most-bang-for-the-buck target are all part of many kempo strains, IMHO.