Dan Anderson
Master of Arts
Hi All,
Below my signature is something Punong Guro Edgar Sulite wrote entitled "What Makes A Grandmaster?" This is from his book "Masters of Arnis, Kali & Eskrima." Please read it.
I was formally acknowledged as a Grand Master in 2007. There are two exceptional students of the martial arts whom I now acknowledge as fellow Grand Masters, especially in light of what you will read.
They are Brian Zawilinski and Jaye Spiro (photos). Both are versed in Modern Arnis and empty and combatives (Kenpo [Brian] and Shotokan Karate [Jaye]).
This has a historical precedent in the early 1930's and the Dai Nippon Butoku Kai. This was an organization that was created in 1895 for the standardization of the martial arts in Japan. It was in this organization where masters of different karate styles created a recognition system of others.
It is in the spirit of this historical precedent that I am honored to acknowledge these two fine warriors.
Yours,
Prof. Dan Anderson
Taken from Punong Guro Edgar G. Sulite's book, Masters of Arnis, Kali and Eskrima (1984)
"What Makes A Grandmaster?
By Punong Guro Edgar G. Sulite
To be recognized as a Grandmaster or Master of combat arts in the Philippines, you must have made your reputation and show mental maturity and physical age. Grandmasters question the rankings of other grandmasters.
Masters and grandmasters are criticized and questioned regarding their skills and abilities. Who bestowed their title? Do they have enough skills for the titles they carry? How many years have they been practicing the art? How old is he? How many followers and students does this man have?
In other martial arts, the attainment of a certain level automatically designates the title Master or Grandmaster. In the Philippines, there are certain norms to be satisfied before one can be called and accepted as a Master or Grandmaster.
A master of the art must be a master of himself. He must be in control. His daily life epitomizes a man in control of his life, his destiny. A master of the art must know his art, its origins, its history, its philosophy. He must know the techniques, the interplay of techniques, and the reversals of techniques.
A master must know the basics, the intermediate forms and techniques, and the advance levels of the art. Mastery of the art does not only mean so many years in the art, but the amount of experience using the art, one’s personal evolution within the art and personal dedication and contribution to the art.
A master of the art must know how to teach and impart knowledge from the art. He must be able to communicate, elaborate and present the art in such a way that each student learns on a personal basis. Each instruction is adapted to the learning process and ability of the student. A master must be a real maestro, a real teacher.
A master of the art must be of good character. He should epitomize the qualities of a leader, the majesty of a noble, and the courage and strength of a warrior.
A master of the art is called and acknowledged a Master by other masters, never by himself."
Below my signature is something Punong Guro Edgar Sulite wrote entitled "What Makes A Grandmaster?" This is from his book "Masters of Arnis, Kali & Eskrima." Please read it.
I was formally acknowledged as a Grand Master in 2007. There are two exceptional students of the martial arts whom I now acknowledge as fellow Grand Masters, especially in light of what you will read.
They are Brian Zawilinski and Jaye Spiro (photos). Both are versed in Modern Arnis and empty and combatives (Kenpo [Brian] and Shotokan Karate [Jaye]).
This has a historical precedent in the early 1930's and the Dai Nippon Butoku Kai. This was an organization that was created in 1895 for the standardization of the martial arts in Japan. It was in this organization where masters of different karate styles created a recognition system of others.
It is in the spirit of this historical precedent that I am honored to acknowledge these two fine warriors.
Yours,
Prof. Dan Anderson
Taken from Punong Guro Edgar G. Sulite's book, Masters of Arnis, Kali and Eskrima (1984)
"What Makes A Grandmaster?
By Punong Guro Edgar G. Sulite
To be recognized as a Grandmaster or Master of combat arts in the Philippines, you must have made your reputation and show mental maturity and physical age. Grandmasters question the rankings of other grandmasters.
Masters and grandmasters are criticized and questioned regarding their skills and abilities. Who bestowed their title? Do they have enough skills for the titles they carry? How many years have they been practicing the art? How old is he? How many followers and students does this man have?
In other martial arts, the attainment of a certain level automatically designates the title Master or Grandmaster. In the Philippines, there are certain norms to be satisfied before one can be called and accepted as a Master or Grandmaster.
A master of the art must be a master of himself. He must be in control. His daily life epitomizes a man in control of his life, his destiny. A master of the art must know his art, its origins, its history, its philosophy. He must know the techniques, the interplay of techniques, and the reversals of techniques.
A master must know the basics, the intermediate forms and techniques, and the advance levels of the art. Mastery of the art does not only mean so many years in the art, but the amount of experience using the art, one’s personal evolution within the art and personal dedication and contribution to the art.
A master of the art must know how to teach and impart knowledge from the art. He must be able to communicate, elaborate and present the art in such a way that each student learns on a personal basis. Each instruction is adapted to the learning process and ability of the student. A master must be a real maestro, a real teacher.
A master of the art must be of good character. He should epitomize the qualities of a leader, the majesty of a noble, and the courage and strength of a warrior.
A master of the art is called and acknowledged a Master by other masters, never by himself."
