Exile and Punisher, I tried to rep you guys, but they want me to Share the
Luv first. Damn Bob, all that promiscuity is just hell on Traditional Values
Another thing about bodybuilding is that it's really about fashion and aesthetics, not strength. If you look at a guy who uses those muscles for a living - a longshoreman, a farmer, a wrestler - he doesn't look like a bodybuilder. Depending on his genetics he's going to look wiry or slab-sided or like a barrel. And he'll use his whole body as much as possible.
The bodybuilding look works
against functional strength in a lot of ways.
You get those highly sculpted anatomy drawing muscles by working them individually and Frankensteining them together. The training rewards muscles working in isolation.
And it also rewards bizarre dietary regimes, use of seriously dangerous diuretics (early megabodybuilder Paul Dillett, who was in the 300 lb + contest-ready class before most of the others who wound up there, came within an ace of some kind of major cardiovascular trauma during one contest, probably as a result of the latter), dangerous metabolism accelerants... all used in combinations which were never foreseen by the manufacturers of those substances (some of which, apparently, were originally intended for
veterinary use!! One thing about Grimek: he was a working powerlifter, and powerlifters emphasize big compound exercises and tend not to worry too much about looking ultra-shredded—they just want to get pounds off the floor. Early, pre 'roidal gymnasts are another good role-model: they have functional strength in abundance, excellent symmetrical musculature (because their routines typically entail equal strength demands on both sides) and lean, efficient body composition... but not the monstrous overgrowth that makes contemporary body-builders look like a different species that went down the wrong evolutionary road...
The thing that's so striking about that passage I quoted above about Grimek is what's implied in the line `Expert at controlling his muscles and agile in acrobatic posing moves,...' The fact is, contemporary bodybuilders have a hard time controlling their muscles because their steroid regimes result in muscle volume that is
too large for their connective tissue—their tendons, ligaments and cartilage, the strings that get the puppet to actually move. Connective tissue, unlike muscle tissue, does not increase in volume in response to anabolic substances, so you get guys who look as though the should be able to outwrestle 800lb mountain gorillas who have a hard time crossing the street, let alone being able to do something like MA sparring (or tennis or anything else requiring speed and control). The clichéd notion of the `muscle-bound' bodybuilder has an element of truth to it, but not because muscles slow you up—if you develop them the way Grimek did, the connective infractructure that lets you use your muscles in agile and fast-paced fashion will be there; but the steroidal monsters of the Mr. Olympia circuit don't do it like that. As Tellner emphasizes, the premium is on cosmetic appearances, æsthetic fetishes (e.g. you get more points for very prominent blood vessels at the surface of your muscles, hence the lavish use of dangerous dehydrant agents) and other distinctly
nonfunctional goals.
In the end, the working athlete, training naturally and devotedly and focusing on strength, balance and accuracy, will be the most successful MAist, benefitting from the speed that powerful muscles provide and the ability to not only generate but direct the power created by those muscles to the target. And this is true whether you're tall, short, narrow- or broad-shouldered.