Here is a script review of an upcoming movie that goes to the point of hollywood and the entertainment industry being anti-american to the point that they will distort real villians in order to portray americans as the bad guys..."The Whislte blower"
http://bighollywood.breitbart.com/y...l-inaccuracies-plaque-screenplay/#more-345286
From the article on the movie whistleblower:
And by shifting the focus of the movie to “America is the worst and the American military in all its forms is the darkest force since Darth Vader,” the plot of
The Whistleblower loses its importance and passion because of the failure to address the cause of sex slavery and its real culprits and turns into a comic feminist rendition of Matt Damon’s wet dream fantasy
Bourne movies.
In the attempt to quench a leftist thirst for putting down the military,
The Whistleblower like its ilk of naïve but dangerous political movies, sacrifices the real issue of sex trafficking like a virgin to a persistent dragon of propaganda.
On a more tragic note, the creators of
The Whistleblower indirectly (or, perhaps, directly) abuse children by using them for their political purposes. Letting the real culprits off the hook and chasing the American military contractors instead, proves that the creators are not really concerned about sex slavery as much as they think they are but simply use the rape of children as a platform to denigrate American military. Otherwise they would deal with real statistics that shows the American peacekeeping force as the least involved in the debauchery and abuse of all the UN peacekeeping nations worldwide.
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A MORE ACCURATE PORTRAYAL:
A simple research such as the one contacted by
William Norman Grigg in his article “Beasts in Blue Berets’ (published in The New American with some references to similar expositions in the Village Voice) will reveal shocking abuses, for example, of Belgian UN peacekeepers in Somalia who fried a young boy for stealing food and a Belgian
Het Laatste Nieuws newspaper rewarded with a bomb threat (
in Belgium) for breaking the undesired news.
The research will also reveal disturbing accounts of Italian troops torturing and abusing Somalis and a 46-page report documenting that “the criminal events were not just the result of ‘rotten apples’ that you may find in any structure, but were rather the consequence of a stretched line of command and amused compliance toward such high jinks by some junior officers.”
Then, there are 47 Canadian UN troops who served in Bosnia,
yes in Bosnia, and were accused of “drunkenness, sex, black marketeering and patient abuse at a mental hospital they were guarding.”
The Whistleblower is a German-Canadian co-production so where is the Canadian self criticism of this outrageous case? All you get about other UN troop abuses in the screenplay of
The Whistleblower is a throwaway line that ends with the protatgonist telling the audience Americans aren’t legally accounable for anything they do.
No, Kathy, they
are accountable and interestingly they proportionally commit less abuse than any other participant country as evidence after evidence will show if you only bother looking at it, instead of listening to your boyfriend!
Many international humanitarian observers and Pentagon officials note that such problems (prostitution, sex trafficking, narco-business) are predictable, given that “the international police task force [in Bosnia] is a compendium of people from diverse countries with different degrees of professionalism and training and different backgrounds in operations and ethics”. This sounds like
the real problem, doesn’t it?
Now, why the creators of
The Whistleblower chose to go after the least guilty and by doing so let the real culprit slip away? Isn’t this against any investigative logic?
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THE CREATORS OF THIS MOVIE SACRIFICE ACCURACY TO TRASHING THE U.S.