I know there is probably a very small audience for this question. Of those that have created your own curriculum when you started your school, what process did you use to determine which techniques, concepts, or patterns would be at the different stages of your curriculum?
I'm not talking about the techniques themselves. I'm talking about:
- How did you arrange the techniques, concepts, and patterns into which level you wanted to teach, or else group them into which group you wanted in a rolling curriculum?
- Who reviewed your curriculum to provide feedback on it?
- How did you beta test the curriculum before you opened your school? Or did you do what software developers call "testing in the live environment"?
Hey, just seeing this thread, so I might be repeating some things others have said. I'll answer in reverse order, because the longest answer is to your first question:
- How did you beta test the curriculum before you opened your school? Or did you do what software developers call "testing in the live environment"?
I tested concepts for the curriculum while teaching at my instructor's school. I couldn't test the full curriculum, obviously, but I could A/B test approaches and principles. Until I had my own students who were only required to handle my curriculum, there was no way to test it out. Expect your curriculum to be a bit fluid with your first students. I added kata (long forms) after I started my program, and changed them twice over about 3 years. Actually, I've changed them more than that, but the upper level ones haven't been taught to anyone yet, so nobody but me has noticed. Natural attrition of students has provided me with new people to work with. It's unlikely your first 10 students will be around in 5 years, so you can made adjustments to a rank when it won't affect anyone who's likely to be upset by it.
- Who reviewed your curriculum to provide feedback on it?
The Hobbit was my primary sounding board for a very long time. I didn't have review by anyone else in the art. I don't know anyone else who is interested in updating the curriculum (my most likely partner for this died a few years before I reached the conclusion I wanted a new curriculum). If I'd had someone more advanced to work with (Hobbit made it to brown belt under my instructor), I might have made deeper changes.
- How did you arrange the techniques, concepts, and patterns into which level you wanted to teach, or else group them into which group you wanted in a rolling curriculum?
Which time? I changed my approach entirely twice before I started using the curriculum. I started by simply asking what problems I was wanting to solve with a new curriculum. If I hadn't had an answer to that, I'd have simply copied my instructor's (or my old association's) curriculum. I examined each technique from the curriculum I knew, and asked if there was a reason to keep it. For the things most folks in NGA would call "techniques" (the Classical Techniques at the core of NGA), I decided to keep them all, and in roughly the same order they were traditionally grouped in. I did change some of the forms rather significantly to address common misunderstandings I thought the forms engendered. Mostly, I kept the Classical Techniques and their organization to maintain a common vocabulary with the rest of the art. I did mark some of them as "esoteric" - just there for studying principles and late-rank fiddling, with no direct application.
For the other techniques (all strikes, blocks, and ancillary grappling), I was more ruthless. There are kicks I no longer teach (I'd never seen them taught well, nor ever used in any realistic way). I've added blocks (to train movements more likely to be used in the chaos of a flurry of strikes). I added a LOT more emphasis on striking and sparring. I threw out all of the ground work and replaced it with a bit of BJJ-based groundwork I know (interpreted through NGA principles). I tossed out ALL of the nidan curriculum (mostly clunky nunchaku and club work) and replaced it with FMA-based stickwork and some staff material, which I then moved to earlier ranks. I dropped all ranks beyond "black belt" (no "dan" ranks), and instead added an instructor certification system that could reasonably start earlier than black - including a "Senior Instructor" level, where they're also trained to train instructors.
I then looked at how I wanted them to progress, and what I wanted a person reaching each rank to be capable of. I first rearranged all of the Classical techniques for better grouped learning, but decided (before ever starting the program) that this just didn't have enough benefit for the level of effort it would take for me (given so many years of the old grouping in my head). I decided speed of progression from belt to belt wouldn't matter to my students (the students who really like my teaching style), so I arranged the material so the first 3 belts likely each take about a year for a beginner training twice a week. (I currently have no real reference on how long the last 3 would take, but I expect it's similar). I did end up adding a non-rank at the beginning of the curriculum. I call it "foundation", and it includes some basic principles, simple strikes, defensive sparring, and the beginnings of some defenses/escapes. Students must "pass" it (no formal test) to enter the formal NGA curriculum. This allows me to have specific assumptions when I start teaching the Classical Techniques.