I've been wondering about this for quite a while: while it's not unusual for Tang Soo Do people to refer to their art as Korean karate, anyone who does that within Taekwondo is almost certainly going to get a line of flak from representatives of the Korean TKD directorate, or what Lenin would have referred to as their 'useful idiots' in the West, that TKD is a purely Korean art, has no substantial debt to Shotokan or other Japanese karate styles, and represents a significantly different fighting system from karate.
Now here's what I find very strange about this: Hwang Kee was the one and only founder of one of the original five kwans who did not learn his martial arts as a Korean visitor to a Japanese karate dojo in the 1930s. Lee Won Kuk (Chung Do Kwan), Byung Jik Ro (Song Moo Kwan) and Choi Hong Hi (Oh Do Kwan) earned dan belts in Shotokan, and Yoon Pyung In (Chang Moo Kwan) earned a 5th Dan from Toyama Kanken in Shudokan. Hwang Kee alone did not study in Japan, and denied all his life—until his very last book, The History of Moo Doo Kwan, published in 1995—that the Pyung Ahn hyungs were borrowed karate forms; as it turned out, by his own admission, they were nothing but the Pinan katas (in their Heian avatar), learned secondhand from a library book belonging to a Seoul train station where he worked (see here for some unpleasant documentation).
You'd think, given HK's own clear, conscious rejection of what he knew to be true—the Japanese origins of his own 'core' hyungs—that TSD culture would have developed the nationalist mythology of TKD's 'ancient Korean' origins to a much greater degree than TKD (after all, Song Moo Kwan is an almost literal translation of Shotokan—how much more candid can you get??) Yet it seems to be the TSD people who practice Okinawan/Japanese kata under barely transliterated Korean names, and who talk about, and compare, karate and TSD bunkai, and who (for the most part) acknowledge the authority of the Okinawan karate masters who have preserved the bunkai for these forms for the last half-dozen or so generations. Much of the TKD world, on the other hand—including the American branch plants of the Korean TKD directorate—are engaged in promoting the same revisionist legendary fantasies (as per the bit of fraudulent mythmongering here) that began with General Choi, and which one hears in all kinds of venues—even, occasionally, in the otherwise cold- and clear-eyed annals of MartialTalk.
Does anyone have an explanation for why TSD people seem so much more comfortable with the sources of their art in O/J karate, even though the founder was the odd man out in never having studied karate formally in Japan? I have to say, the longer I've thought about it, the more perplexing it seems to me...
Now here's what I find very strange about this: Hwang Kee was the one and only founder of one of the original five kwans who did not learn his martial arts as a Korean visitor to a Japanese karate dojo in the 1930s. Lee Won Kuk (Chung Do Kwan), Byung Jik Ro (Song Moo Kwan) and Choi Hong Hi (Oh Do Kwan) earned dan belts in Shotokan, and Yoon Pyung In (Chang Moo Kwan) earned a 5th Dan from Toyama Kanken in Shudokan. Hwang Kee alone did not study in Japan, and denied all his life—until his very last book, The History of Moo Doo Kwan, published in 1995—that the Pyung Ahn hyungs were borrowed karate forms; as it turned out, by his own admission, they were nothing but the Pinan katas (in their Heian avatar), learned secondhand from a library book belonging to a Seoul train station where he worked (see here for some unpleasant documentation).
You'd think, given HK's own clear, conscious rejection of what he knew to be true—the Japanese origins of his own 'core' hyungs—that TSD culture would have developed the nationalist mythology of TKD's 'ancient Korean' origins to a much greater degree than TKD (after all, Song Moo Kwan is an almost literal translation of Shotokan—how much more candid can you get??) Yet it seems to be the TSD people who practice Okinawan/Japanese kata under barely transliterated Korean names, and who talk about, and compare, karate and TSD bunkai, and who (for the most part) acknowledge the authority of the Okinawan karate masters who have preserved the bunkai for these forms for the last half-dozen or so generations. Much of the TKD world, on the other hand—including the American branch plants of the Korean TKD directorate—are engaged in promoting the same revisionist legendary fantasies (as per the bit of fraudulent mythmongering here) that began with General Choi, and which one hears in all kinds of venues—even, occasionally, in the otherwise cold- and clear-eyed annals of MartialTalk.
Does anyone have an explanation for why TSD people seem so much more comfortable with the sources of their art in O/J karate, even though the founder was the odd man out in never having studied karate formally in Japan? I have to say, the longer I've thought about it, the more perplexing it seems to me...