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One thing never seen in any style I've looked at is a two handed striking technique...as in holding the hands locked together in some way to increase power.
It happens occasionally in WWF of course, but is there anything in a serious style???
Mind you, if I had teeth like that, I wouldn't be grappling!!I know a few techniques that utilize both hands to reinforce the strike or block. If you're talking something like the classic Kirk hammer-chop -- probably not a good idea.
The Shat to the back!I know a few techniques that utilize both hands to reinforce the strike or block. If you're talking something like the classic Kirk hammer-chop -- probably not a good idea.
Thats almost exactly what I had in mind yes thanks...like a two-handed uppercut to the chin or throat area.In Kajukenbo there is a self defense technique in which you clasp your hands together with the fingers interlocked and punch to the throat area. I believe that is what you were asking as opposed to a double attack or a supported technique.
LOL!!!If you're talking something like the classic Kirk hammer-chop -- probably not a good idea.
In Isshinryu there are reinforced punches and blocks in the Seiuchin kata.
Yes, try this experiment...stand with your back against a wall, clasp you fists together and thrust outwards as fast as possible.As to the original question, power generally comes from turning the body into the strike, if both hands are striking you can't put your body behind it and it won't have much force behind it.
Yes, very good Isaac Newton.. By your apparent lack of understanding of the most fundamental MA concepts such as rooting / grounding / centring [each art has its own nomenclature], you are demonstrating a limited viable martial art experience. Do please state clearly into the microphone and for the record where you intended for this thread to end up before I put you on ignore haha..Yes, try this experiment...stand with your back against a wall, clasp you fists together and thrust outwards as fast as possible.
You will find your back doing a big bounce off the wall as some of the energy kicks back and is wasted.
I watched your video and hit the thanks button for your contribution Bill.OK, well, thanks for that. I am no expert, but I shared what I knew of my art and provided an example. Wasn't really hoping to be told what I'm being taught is incorrect. I was simply trying to answer a question by a newbie. Little did I know it was a set up. Next time I won't bother. Welcome to MT, Telfer.
It doesnt have a destination Jen...and your complaint is a total mystery to me.Do please state clearly into the microphone and for the record where you intended for this thread to end up