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Thanks for taking the time to reply to my message.
Hopefully someone on here may have experience in Kuk Sool Won or one of its 'sister' arts that can answer my question.
I guess this sort of goes to your reply in my thread in the Hapkido forum. Kuk Sool Won was probably absorbed into TKD in the past and therefore there aren't many practitioners of that art as a specific art. Anyone know if it was one that was absorbed?
Can anyone answer the original question asked about Ki Cho Hyung?
There are "bunkai" for the kuk sool hyungs but you need a good knowledge of them to figure them outMy time in KSW was short but I don't believe the forms are intended to teach live applications at all. That's what the kibon sool series and so on are for. The forms are more for developing flow and grace.
I know this is a old post but as a kuk sool practitioner there are bunkai/bu hae to the kuk sool forms divided into beginner intermediate an advanced it took me a few yrs to unravel as my teacher gave me the knowledge in small bitesCan anyone answer the original question asked about Ki Cho Hyung?
To make sure we are on the same page, Ki Cho Hyung (Il, Ee, Sam) are the three basic forms? I never really considered them as being heavy in bunkai. The first two poomse are one kind of punch, one kind of block, and one kind of stance so very, very basic. I feel it is more about becoming familiar with a stance, punch, block. Usually too early to grasp much of anything. Just my thoughts. If I am wrong on Ki Cho Hyung in KSW please explain.I was wondering if any of you practioners of Kuk Sool Won train and learn the applications of your forms. For example: Okinawan Karate masters that teach the Bunkai of their kata's.
Any insights into the form Ki Cho Hyung?
I've had over 20 +yrs in ksw and do know the applications of the forms my teacher showed me small bites of ideas let me uncover the rest i was his private student from red belt to my current rank and then his assistant instructor for his schoolsKsw isn't taught like that it's only about movement in the early belts
I've had over 20 +yrs in ksw and do know the applications of the forms my teacher showed me small bites of ideas let me uncover the rest i was his private student from red belt to my current rank and then his assistant instructor for his schools
Welcome to the forum. Are you a student of Master Harmon? It is hard to hear someone rail on, anything, when their background and experience is not known. Are you speaking about what you do not know or can you substantiate your opinion?By "uncover" the rest, do you mean majority of the movements have combat applications? Now, when you say "bites of ideas" are those official applications? Or just something your instructor "suggested" could be useful?
I remembered a student asked Master Barry Harmon what the movements were for, his reply was, "They are up to your imagination". If someone as high up as Harmon didn't have an answer, I can only imagine the whole KSW community are just coming up with random applications they see fit.
I honestly can not imagine any instructor with pride and confident will not want to show off what they can do or their knowledge. There are no secrets or hidden applications. Kuk Sool forms are just artistic dances, and I didn't say this as an insult.
I have a feeling the founders saw some movements from different arts, copied it but hasn't learned what they were for. Without a doubt KSW is based off of Japanese and Chinese arts, the Koreans haven't invented anything. If they are not teaching applications to the forms, my opinion is they don't know it.
Welcome to the forum. Are you a student of Master Harmon? It is hard to hear someone rail on, anything, when their background and experience is not known. Are you speaking about what you do not know or can you substantiate your opinion?
Thank you for your "welcome".
I am not a student of Master Harmon. I have seen him a few times at annual seminars. I have a black belt in KSW, among other things.
I am basing my opinion on the higher ranking members of the community that I have met, such as instructors and school owners. Seems like majority of the form applications that they "suggested" came from other arts they have cross trained themselves and not directly from KSW's teaching.
For example, you can ask what a movement is for and an instructor would tell you, "oh it is a choke" or "it is a foot sweep" but you know he says this because he took a few BJJ/Karate classes and substituted techniques into KSW forms in an attempt to explain the movements. You can watch the same forms on Youtube and no one will do it "that way" so clearly the applications were the instructor's own ideas.
A good way to find out is if you ask different instructors what form movements are for and they give you different answers. Try a Wing Chun-er, even if the instructor personalized the applications (difference in body type, strength, etc), it will not be too far off of what other WCers do within the system. That is because the forms came from applications, not the other way around.
Imagining applications would be "easy" to do with hand forms. But the Kuk Sool Won sword forms will be tough to explain... that is because so few KSWers have actual Japanese sword training to justify applications and those that do know the KSW sword form is suicidal in practice.
Techniques should make the forms. Forms shouldn't be created and then try to figure out how the movements can become actual techniques. I think this is what most KSWers have difficulties with.
I see this problem as the watering down of TMA in general as it/they get farther away from the original practices. I believe there is value in most of the original techniques. The simple language gap between Founders/Masters, and the first few generations of Instructors has been problematic at best. There has been an awful lot of interpretation, some good some bad. Also the apparent tendency for "A" type personalities taking on a teaching mantle in MA has it's own flaws at times. One of the most valuable phrases said in the engineering world is "I don't know". The gist is, the incorrect explanation of techniques isn't contained to any one style or system. It exist in all of them. This is one of the big values in being affiliated with a style or system, assuming as instructor you are proactive in staying current and using any teaching tools offered.