kenpo3631
Black Belt
"Check - To restrain, hinder, or repress an opponent from taking action. This is accomplished by pressing, pinning, or hugging an opponent usually at the joints so that it minimizes his leverage and nullifies his actions."
Note the terms pressing, pinning or hugging...
So by that definition the next definiton is contradicted... Note there is no reference to pressing, pinning, or hugging.
"Positioned Check - A check where you place the hand or leg in a defense position or angle to minimize entry to your vital areas. "
However, the hand position being discussed would better be described as -
"Positioned Block - The formation of various defensive postures that automatically check incoming action. The structured positions in and of themselves act as checks. "
or...
"Cover - The repositioning of your body into a protective pose while creating distance between you and your opponent. "
:asian:
Note the terms pressing, pinning or hugging...
So by that definition the next definiton is contradicted... Note there is no reference to pressing, pinning, or hugging.
"Positioned Check - A check where you place the hand or leg in a defense position or angle to minimize entry to your vital areas. "
However, the hand position being discussed would better be described as -
"Positioned Block - The formation of various defensive postures that automatically check incoming action. The structured positions in and of themselves act as checks. "
or...
"Cover - The repositioning of your body into a protective pose while creating distance between you and your opponent. "
:asian:
kenpo3631
Black Belt
Slap check is a relatively new term to the kenpo arena. I personally have only heard it here and at a few seminars in the recent years.
Isn't that a term Mr. Chapel uses...?:idunno:
Isn't that a term Mr. Chapel uses...?:idunno:
OP
WilliamTLear
Guest
- Thread Starter
- #27
In the video he clearly draws his right arm arm back, and rolls it palm-up to his left shoulder. It is not checking. Infact, it is framing his entire upper body, leaving his face open to intentional/unintentional action. That's not the way that I learned the technique.
When I was taught this technique (by Frank Trejo), I was told the arm was to remain forward at the point in which it makes contact on the opponent's arm... Then, from point of origin, simultaneously strike your opponent with the handsword as your foot connects with the ground (Gravitational Marriage).
Other things that I see that need improvement: He doesn't step back into a proper neutral bow and stabalize his base while he executes the inward block, his fingers are apart and not in a good formulated handsword while he's executing that strike, his back foot is slightly pigeon-toed (turned outward, and not on a 45 degree angle to his centerline), and by analyzing his weight distribution on the 3rd and 4th frames he doesn't properly execute the transitional cat stance before delivering his ball kick.
Things that I see that are good: His front foot lands in a 45 degree to his centerline after he does the kick, his left hand is properly checking his lower body, and it looks like he has proper depth in his stance when his kicking leg settles with his handsword strike.
I would also like to add that I viewed this technique frame by frame.
I hope this helps,
Billy Lear
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Kirk
Guest
- Thread Starter
- #28
Okay, now that you pointed it out, I see it. I was told the arm was to remain forward at the point in which it makes contact on the opponent's arm too.
Sure did, thanks.
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Kirk
Guest
- Thread Starter
- #29
I heard that Mr Parker did it all the time, but that he didn't teach
it. So a lot of people have tried emulating it, but no one call
honestly say if it's what Mr Parker was doing or not. .. or
something to that effect
That was something Dr. Chapel wrote on the "other" forum. I have not heard any other senior refer to this "Slapcheck".
I was wondering if anyone else had heard of it in a seminar with one of the Seniors not of Dr. Chapel's lineage?
Just curious,
-Michael
UKS-Texas
I was wondering if anyone else had heard of it in a seminar with one of the Seniors not of Dr. Chapel's lineage?
Just curious,
-Michael
UKS-Texas
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WilliamTLear
Guest
- Thread Starter
- #31
I've heard other seniors make the noise from such a check, but none have referred to it as a slap check...
Mr. Mills immeadiately comes to mind... check out the video clips on his web site... You can definately see it... and hear it.
http://www.akki.com/_videos/swordhammerseries/swhmerseries.htm
By the way Mr. Billings, are you comming out to see us at the September Camp? I'm looking forward to meeting you someday. You seem like a pretty cool dude.
Take Care,
Billy Lear
well, isn't this how American Kenpo became known as a slap art?
Ed Parker was very loud with these slaps and karate traditionalists didn't know what to make of it. it seemed(s) like an added sound effect to them and had no application they knew of.
I believe in one of the prefaces for the insights books, the slaps are given an explanation as simply inserts (offensive or defensive)- though again as Chapel did write, there's no description of how, when, where, etc to put these "slaps" in, nor are they address anywhere else. they aren't in the manuals.
Chapel was the first person i've read who's addressed the "slap" or slapcheck in depth. There was however a rather curious attempt to explain them in a recent black belt article by some one else- though i confess, i wasn't clear on what the writer was trying to say.
here's a description from Chapel's glossary
SLAP-CHECK - An open handed palm strike that positions the hand to possibly be used offensively and/or defensively, and assists timing, and/or power through directional harmony.
peace.:asian:
Ed Parker was very loud with these slaps and karate traditionalists didn't know what to make of it. it seemed(s) like an added sound effect to them and had no application they knew of.
I believe in one of the prefaces for the insights books, the slaps are given an explanation as simply inserts (offensive or defensive)- though again as Chapel did write, there's no description of how, when, where, etc to put these "slaps" in, nor are they address anywhere else. they aren't in the manuals.
Chapel was the first person i've read who's addressed the "slap" or slapcheck in depth. There was however a rather curious attempt to explain them in a recent black belt article by some one else- though i confess, i wasn't clear on what the writer was trying to say.
here's a description from Chapel's glossary
SLAP-CHECK - An open handed palm strike that positions the hand to possibly be used offensively and/or defensively, and assists timing, and/or power through directional harmony.
peace.:asian:
Mr. Lear,
I am planning on making the UKS camp this year, but have some personal things going on with my family that may preclude it. My Dad lives out there and I have really missed not being able to get out there for the week as I usually do.
Slap checks are not the same as the "slapping" sound made when Kenpo was largely misunderstood, reference some of the old Black Belt Magazine interviews with Mr. Parker. As explained by him at a seminar I was attending, the slaps against yourself when working a technique by yourself were essentially done to simulate the reality of a check (possibly a slap check - but at that point he was using words like suppressing, pinning, etc.) against the opponent. They served to help us establish the broken rhythm timing of a technique as we allowed the opponent time to react. They "sounded" the same to an observer whether you worked with an opponent or just in the air.
Howard Silva helped me find these timing breaks and introduced me to rebounding off myself or actively checking the opponent. I have been in seminars with Mr. Mills and know he "slaps" but it is a similar active checking system to what most Kenpoist do who trained with Mr. Parker. Tom Kelly was the first Senior I ever met who did this and I could not understand why he was hitting himself - then against an opponent and the checks were no longer slaps against himself. Totally AWESOME explosive power and flow.
Anyhow, question still stands - any other Seniors (Mr. Parker's 7th Degrees) and those training with him who have started Associations or had him as their only teacher who use the specific wording of "Slap Check" as does Dr. Chapel?
-Michael
UKS-Texas
I am planning on making the UKS camp this year, but have some personal things going on with my family that may preclude it. My Dad lives out there and I have really missed not being able to get out there for the week as I usually do.
Slap checks are not the same as the "slapping" sound made when Kenpo was largely misunderstood, reference some of the old Black Belt Magazine interviews with Mr. Parker. As explained by him at a seminar I was attending, the slaps against yourself when working a technique by yourself were essentially done to simulate the reality of a check (possibly a slap check - but at that point he was using words like suppressing, pinning, etc.) against the opponent. They served to help us establish the broken rhythm timing of a technique as we allowed the opponent time to react. They "sounded" the same to an observer whether you worked with an opponent or just in the air.
Howard Silva helped me find these timing breaks and introduced me to rebounding off myself or actively checking the opponent. I have been in seminars with Mr. Mills and know he "slaps" but it is a similar active checking system to what most Kenpoist do who trained with Mr. Parker. Tom Kelly was the first Senior I ever met who did this and I could not understand why he was hitting himself - then against an opponent and the checks were no longer slaps against himself. Totally AWESOME explosive power and flow.
Anyhow, question still stands - any other Seniors (Mr. Parker's 7th Degrees) and those training with him who have started Associations or had him as their only teacher who use the specific wording of "Slap Check" as does Dr. Chapel?
-Michael
UKS-Texas
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WilliamTLear
Guest
- Thread Starter
- #34
I agree with that definition.
I believe this is the preferace that you mentioned above.
Page VIII, paragraph two from the Preferace of Ed Parker's Infinite Insights into Kenpo Volume III, Physical Analyzation (by: Lee Wedlake Jr.):
As referred to earlier, an accusation made by persons unfamiliar with Kenpo is that it is a "slap art". That is, they wrongfully believe that slaps are inserted in a technique sequence to create sound effects rather than effectiveness. The "slap art" label stems from practitioners and observers alike who have not been privileged to analytically study the details involved in a technique. Consequently some moves are mistaken for a slap. To compound this misconception less expereinced students often improperly imitate their instructor. The truth of the matter is that many Kenpo techniques employ open hand checks. These checks insure the prevention of retaliatory moves (anticipated and unexpected) on the part of the opponent, or in some cases, act as a brace to enhance the effectiveness of your action. There are a number of methods used to check an opponent's actions -- striking checks, parrying checks, pinning checks, bracing checks, positioned checks, etc. Once the check is determined the slap is then visibly executed in a technique to indicate, by touch and sound, where the check is to be inserted. Only when the physical action of a check is rendered will you know the true value of these checks.
I hope this helps,
Billy Lear :asian:
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WilliamTLear
Guest
- Thread Starter
- #35
We are on the same page... I agree with your definition of the slapping sound, and that it is misunderstood, even today.
As it pertains to the definition that Jazkiljok posted... The positioning of the hand for defensive purposes constitutes a check does it not? The guys really beat the crap outta me last night though... I could still have a few loose marbles... :lol:
I hope I get to see you. It would be fun, but I totally understand how family comes first.
Take Care,
Billy Lear
Goldendragon7
Grandmaster
Well, gather up all those "pee wee's" and tie up the bag real tight!
:rofl:
OP
Kenpo Yahoo
Guest
- Thread Starter
- #37
Disclaimer: I, in no way, am trying to speak for the AKKI. These are my personal thoughts and opinions.
I'd be curious to know what Chapel's definition of directional harmony is. Although we don't call it a slap check, we do use something similiar in the AKKI. I say similiar because I've seen it done with other patterns of movement, not just directional harmony. The principle is simple in nature, but powerful in execution. The movements of a given technique have been mapped out so that when the primary hand is striking (whichever one that may be) the secondary is acting as a counter balance, and in most cases (99%), is being positioned to be the next strike. It just happens so fast that most don't see it, they just hear an extra "beat" that isn't directly associated with the strike.
Learning to use the body's natural "grooves" and patterns of motion with this repositioning/counterbalance (or slap-check if that's what you want to call it) you can create tremendously fast and powerful burst of strikes. By understanding these principles as well as the principles of structure, you can move incredibly fast and not have to sacrifice power.
Goldendragon7
Grandmaster
I do Block checks, Kick checks, Rake checks, slice checks, strike checks.... etc....... all with proper body alignment, dimensional application, which results in directional harmony and back up mass.
:asian:
:asian:
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Kenpo Yahoo
Guest
- Thread Starter
- #39
Good for you. I never said that you didn't do any of that stuff.
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brianhunter
Guest
- Thread Starter
- #40
protecting my groin when my 2 year old is running full speed towards me head first!
couldnt resist :rofl:
