Well, I don't think Cecchine is "bashing" BJJ so much as he is showing that there are, in his opinion, better ways to apply certain principles of control. Remember, the conceptual underpinning of catch is wrestling. It's not about finding positions, but instead is something more dynamic.
Both catch and BJJ chain moves. But in catch, practitioners are never really looking to get into a predetermined position (say, guard, half guard, etc.,) from which to launch submissions; instead, they are looking to keep active as wrestlers, keep the opponent controlled, and take the submissions where they find them.
Having looked at the clip and at the BJJ Purple Belt's critiques, I admit to being quite baffled by what it is our BJJ friend is even talking about.
1. The object of making an opponent carry your weight is to wear him down. And for any of you who've ever seen Tony's Lost Art of Hooking, you'd know that, in addition to making the man carry your weight, you are instructed to keep him in an unnatural position.
Now, leaving aside the obvious question about why on earth BJJ would teach one thing to lower belts only to reverse course once you have advanced, the problem with control from the knees, as Cecchine sees it (and he explains this in LAOH rather thoroughly), is that you are able to stay more mobile when you are off your knees, and apply more pressure with your hips from the sprawl, provided you keep your center of gravity low and your feet live. If you are faster, you can circle your opponent (rather than, say, hopping over), which sets you up for anticipating movements that lead to locks, half nelsons, neck cranks, etc.
BJJ simply uses different principles of movement. It's up to the individual to decide, ultimately, which he or she feels works best -- but to call Cecchine's control atrocious is to misunderstand it completely. For a more comprehensive take on that principle of control as taught in catch, see, for instance, here:
This is not to say, of course, that there is never a time to knee up. Just that, by advocating staying on your knees, you are trading off leaving your opponent comfortable for the ability to "set up attacks from cross side" -- which is something you can do just as well in catch by quickly moving to the head and arm position, for instance -- not to mention move into near or far side armlocks.
2. Tony details this, again, in LAOH. What you are supposed to do to complete the hook is bridge. He uses almost no strength at all. It is all leverage.
What Cecchine is showing here is how to use both of your arms, and with the twist and the right angle, you can see how it takes very little pressure to get the submission because the lock itself (with the arms) is applied better technically.
"Good 'ol Tony" is correct about the twist. Try it yourselves. The twist is, in fact, the essential component to making the dwl strong. Hell, even Gene Simco has taken to teaching it that way now: pinkie up. As for his sitting back and pinning you, you can simply extend your leg to control him.
The idea is to get the angle on him, which is important no matter what style you use. If you have the proper fulcrum and control (which you will with your leg), it'll be over fast. Here, Cecchine doesn't need to bridge because the hold is on tight enough for the submission.
Besides, Cecchine is simply demonstrating the hold and the frame for the hold. He's not showing every counter and counter to the counter, ad infinitum.
Here's a bit from that same seminar (and recall, this is 1999), in which Cecchine shows how to close space and tighten the hold on the twl, for instance:
3. I'm not sure quite what our BJJ friend is talking about at 7:41-7:53 when he writes:
Tony has the guard and elects to give the cross side in order for a kimura attempt. Essentially what hes doing is jumping to cross side to give himself leverage (or what he thinks is leverage) for a kimura. We're all taught never to attempt to attack from cross side in BJJ, and for a good reason- it exposes you to to attacks. The counter to this attack is a beautifully set up armbar where the man on top need only swing his hips in a circle. If you'll notice, Tony uses a rather crude hook that merely prevents his opponent from rolling out of the kimura, but in this counter, you're not rolling out but simply circling to the side, to which Tony has no defense.
If you're still having troubling picturing this counter, just watch the submission that Matt Hughes used against GSP- Pierre was attempting kimuras the entire round against Hughes (and trying them from half guard). At the end of the round, St Piere locks on in, but Hughes slides out of half guard (putting him in the exact position Tony is showing) and spins around for a beautiful armlock submission.
There is so much wrong with this characterization as to beggar belief, honestly.
First, review the clip. Tony doesn't give up the cross side -- at least, not it any way I understand cross side (chest to chest). Instead, the guy is kneed up alongside him. And note, too, that Tony has him in half guard when he goes for the lock. He is monitoring his opponent's leg, and can always tighten that "crude hook" should the man attempt to walk around.
In the Hughes-St. Pierre match, GSP gives up the guard entirely. In essence, Hughes is free. GSP sits up with no control whatever and begins fishing around for the lock. When he grabs it, Hughes is already on GSP's left side (not, as here, where the opponent is on the right and in half guard).
But for the sake of argument, let's say Cecchine misses the hold, is unable to secure the foot, and his opponent begins trying to walk up to his head. Look at Cecchine's body position. What he'd do is simply release the arm and he'd have his opponent's back -- because he's already 3/4 of the way out from the bottom. And if he anticipates his opponent's response will be to post, once he gets the back, he'd be waiting and would instantly apply some other lock.
This is rather typical catch chaining, in fact.
Our BJJ friend notes that Tony is using a rather "crude hook" to secure his guy. Well, okay. But that's because he's demonstrating the wristlock, not leg control -- at least in this clip. So keep it in context.
But please, do go compare this portion of the clip to the Hughes-GSP fight. The two instances being compared by our BJJ friend are not even REMOTELY similar.
Cecchine does not teach this lock from bottom when you are cross side. Check out the LAOH: he teaches it from bottom when you have your man scissored (in guard). And even in that instance, he regains position (he'll kick his upper body out, grab the arm, then move back under) as soon as he has the lock on.
4. Not much to say here. Kicking out, using your leg or foot to control the guy's hips, and using the seatbelt to control his waist while you escape is pretty standard wrestling technique.
If BJJ guys think that the whole of amateur wrestling is somehow inferior for escapes and control than what it is they are being taught at the purple belt level, well, we'll just have to agree to disagree.
Too, wrestlers have been using arm and wrist control for...who knows how long? Somehow, they've managed to overcome the problem with sweat -- probably by working on their grip strength.
Again, there are many ways to control the opponent -- and wrestling seems to be teaching something different than BJJ, if our friend here can be believed -- so I suppose we should leave it to the individual practitioner to decide which works best for him or her.
And is simply untrue that Tony's cross body / head and arm relies on limb strength.
It relies on applying pressure with the hips, keeping the opponent uncomfortable, and using proper leverage, as the clip I posted earlier illustrates.
But if you need further proof, you can see a detailed explanation of the head and arm position here:
At any rate, you can find a host of other clips at Cecchine's catch channel on YouTube (
www.youtube.com/catchwrestle). He's been putting up clips fairly regularly, so if you're interested in American catch style (much of what's out there today come from the British branch of catch by way of Karl Gotch and Japan -- Barnett, Fujiwara, Sakuraba, Billy Robinson; American-style catch has a number of differences) you can always subscribe to the channel and take a look at the clips as they become available.