Flying Crane
Sr. Grandmaster
The motivation for this thread came from a discussion going on in another thread, and I thought it might be worth separating and making a distinct discussion out of this topic.
I have seen it written that William Chow learned hung gar from his father. Does anyone have any solid evidence that they can offer, to substantiate this?
If William Chow did in fact learn hung gar from his father, was it included in some format or other in what he taught to his students, including Ed Parker? If not, why not? If so, what aspects/elements of hung gar made its way into the kenpo that Mr. Parker learned from him, and taught to his own students in the 1950s thru 1960s?
My observations are this: Hung Gar has its own body of forms and techniques, as well as signature way of moving and executing its techniques. I am by no means a hung gar expert. I am not even "knowledgeable" about hung gar. I have had some limited exposure to hung gar, perhaps enough to recognize a hung gar "flavor" of movement. While recognizing my own limited knowledge of hung gar, I do not see much in kenpo that is indicative of a hung gar origin. Hung gar forms are not taught as part of Parker-derived kenpo curriculum (with an exception that I will discuss in a moment). I've never seen anything in kenpo's basic techniques, methodologies, power generation, etc., that were indicative of or expressed as hung gar in origin.
Tracy kenpo has attempted to maintain a curriculum that is closer to what Mr. Parker was teaching in the 1950s to early 1960s, prior to many of the changes that Mr. Parker implemented. This means that the Tracy system ought to be closer to what Mr. Chow taught Mr. Parker. So, if Mr. Chow was teaching hung gar to Mr. Parker, it ought to be visible in Tracy kenpo. In my opinion, it is not.
Now I'll get back to my caveat from above: a version of hung gar's Tiger and Crane form was brought into kenpo. This was dropped from the curriculum by Mr. Parker, but in Tracys lineage it was kept. Perhaps other lineages have also kept it, I dunno. But, I believe this version was brought in by Jimmy Woo, and not William Chow. So, while earlier kenpo had at least that much hung gar influence, it did not come from Chow. Some people claim that the Panther set is also Hung Gar in origin. I have my doubts about that. That form was also brought in by James Woo, but I do not believe that it came from Hung Gar. I don't know exactly where Mr. Woo got that form, but I think that question remains unanswered. I think if a hung gar person was shown that form, he would not recognize it as having come from hung gar. Altho there are several lineages of hung gar, and some have material that other lineages don't have, so it is a possibility. However, again, that did not come from Chow.
In the other discussion that prompted this thread, it was mentioned that Chow's hung gar was worked into Kara-ho kenpo system. I don't know anything about this system. There are other Chow-derived systems that exist, that I also don't know anything about. Ralph Castro's comes to mind. So there are certainly other possibilities out there, and I don't know about them.
But as far as I have seen, I don't see anything to suggest to me that Chow had a background in hung gar, and that it influenced Mr. Parker's early kenpo.
If anyone has anything to add, please do. I am genuinely interested in hearing about it, or having specific examples pointed out to me to illustrate the existence of Hung Gar from Chow, in Parker-derived kenpo.
What happened to Chow's Hung Gar?
I have seen it written that William Chow learned hung gar from his father. Does anyone have any solid evidence that they can offer, to substantiate this?
If William Chow did in fact learn hung gar from his father, was it included in some format or other in what he taught to his students, including Ed Parker? If not, why not? If so, what aspects/elements of hung gar made its way into the kenpo that Mr. Parker learned from him, and taught to his own students in the 1950s thru 1960s?
My observations are this: Hung Gar has its own body of forms and techniques, as well as signature way of moving and executing its techniques. I am by no means a hung gar expert. I am not even "knowledgeable" about hung gar. I have had some limited exposure to hung gar, perhaps enough to recognize a hung gar "flavor" of movement. While recognizing my own limited knowledge of hung gar, I do not see much in kenpo that is indicative of a hung gar origin. Hung gar forms are not taught as part of Parker-derived kenpo curriculum (with an exception that I will discuss in a moment). I've never seen anything in kenpo's basic techniques, methodologies, power generation, etc., that were indicative of or expressed as hung gar in origin.
Tracy kenpo has attempted to maintain a curriculum that is closer to what Mr. Parker was teaching in the 1950s to early 1960s, prior to many of the changes that Mr. Parker implemented. This means that the Tracy system ought to be closer to what Mr. Chow taught Mr. Parker. So, if Mr. Chow was teaching hung gar to Mr. Parker, it ought to be visible in Tracy kenpo. In my opinion, it is not.
Now I'll get back to my caveat from above: a version of hung gar's Tiger and Crane form was brought into kenpo. This was dropped from the curriculum by Mr. Parker, but in Tracys lineage it was kept. Perhaps other lineages have also kept it, I dunno. But, I believe this version was brought in by Jimmy Woo, and not William Chow. So, while earlier kenpo had at least that much hung gar influence, it did not come from Chow. Some people claim that the Panther set is also Hung Gar in origin. I have my doubts about that. That form was also brought in by James Woo, but I do not believe that it came from Hung Gar. I don't know exactly where Mr. Woo got that form, but I think that question remains unanswered. I think if a hung gar person was shown that form, he would not recognize it as having come from hung gar. Altho there are several lineages of hung gar, and some have material that other lineages don't have, so it is a possibility. However, again, that did not come from Chow.
In the other discussion that prompted this thread, it was mentioned that Chow's hung gar was worked into Kara-ho kenpo system. I don't know anything about this system. There are other Chow-derived systems that exist, that I also don't know anything about. Ralph Castro's comes to mind. So there are certainly other possibilities out there, and I don't know about them.
But as far as I have seen, I don't see anything to suggest to me that Chow had a background in hung gar, and that it influenced Mr. Parker's early kenpo.
If anyone has anything to add, please do. I am genuinely interested in hearing about it, or having specific examples pointed out to me to illustrate the existence of Hung Gar from Chow, in Parker-derived kenpo.
What happened to Chow's Hung Gar?