Taking a long range look at Kenpo, the art appears to have a technique for every situation. On closer inspection, you find alot of variants of other techniques, sometimes with shades of difference, othertimes with major changes. With this in mind, what are the basics of Kenpo? If you could distill it down to a few base movements and concepts, what would they be?
I realize this is both an overly simplistic and overly broad question/look, but I am currious where the experienced see the basics at.
:asian:
I realize this is both an overly simplistic and overly broad question/look, but I am currious where the experienced see the basics at.
:asian: